That Killer First page, Dublin, Oct 13

That Killer First Page, Oct 13

Venue: Brooks Hotel, 62 Drury Street, Dublin 2.

Date: Oct 13    Time: 10.30-4.30

Places are limited. This event sold out in Adelaide, Bali, Bath, Belfast, Cork, Galway, Kuala Lumpur, Lancaster, London, Melbourne & Singapore.  

You’ll find out what competition judges and journal editors look for in a short story and how to avoid the rejection pile. You’ll write a short piece and get feedback on that crucial story opening. In a form where every word counts, get tips on staying focused on your story and where to start the action. You’ll also look at submission opportunities; how to find them and where you should be sending your stories.

Focus:
How to get the attention of competition judges and editors
Writing fiction with emotional impact
Writing that killer first page
How to edit your story
Where to send your work

Paul McVeigh’s short fiction has been published in anthologies and journals inc. The Stinging Fly and Faber’s ‘Modern Irish Writing’. Stories have been commissioned by BBC Radio 3, 4 & 5 and Sky Arts TV. He was shortlisted for Irish Short Story of the Year 2017 at the Irish Book Awards. His short story blog shares writing opportunities and advice and gets 40,000 hits a month and has had over 2 million views. He’s interviewed short story masters like Kevin Barry, Elizabeth McCracken and George Saunders for The Irish Times. Paul co-founded the London Short Story Festival and is Associate Director at Word Factory, the UK’s national centre for excellence in the short story. He is a judge for national and international short story competitions including, in 2018, the Sean O’Faolain Prize, the Edge Hill Prize and the International Dylan Thomas Prize. He is also the current fiction editor at Southword Journal where he recently commissioned Kit de Waal and twice Booker shortlisted Deborah Levy.                                                                                   

“I emerged from the sleepy hamlet of my writing infancy last Saturday and was sky-rocketed, hurricaned, tsunamied, autobahned and g-forced out of my head by Paul McVeigh’s “That Killer First Page” Masterclass at Waterstones, Piccadilly. He’s on top of his game, gives instinctive, constructive criticism and in a few short hours, had conveyed the essence of how to make a story compelling and unputdownable from the first few lines. Get on one of his courses if you can.”

Reviews for his short stories:
“Beautiful and very moving.” Booker shortlisted Alison Moore
“How moving and stunning that story is. It’s so raw and incredibly human.” Costa shortlisted Jess Richards
“(one of) Ireland’s most exciting and talented writers.  Incredibly moving; poignant but utterly real, funny and beautifully observant.” BBC Radio 4
“Paul McVeigh’s story stands out. Funny, moving, poignant. Brilliant.” Metro Newspaper

Paul’s debut novel The Good Son’ won 2 awards and was shortlisted for a further 5.

‘A work of genius…’ Pulitzer Prize-winning Robert Olen Butler

“Both dancing and disquieting, complex and vivid, I devoured it in a day, but I’ve thought about it for many, many more.” Bailey Prize-winner Lisa McInerney The Glorious Heresies                                       ‘

‘A triumph of storytelling. An absolute gem.’ Donal Ryan

Places are limited to 15

FOR CONCESSIONS PLEASE EMAIL: paulmcveighwriter@live.co.uk

Brooks are offering a special lunch deal – two tapas plus a glass of house wine at €18.50 per person.

PaulMcVeigh short story

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Online: Advanced Short Story Clinic

Receive direct feedback from your tutor and fellow course participants with this online correspondence course for advanced short story writers.

Develop your stories over four months. Whether you’re an experienced writer working towards the completion of a manuscript or looking to maintain momentum and sharpen your writing skills, this clinic provides specific feedback for the refinement of your own voice and style.

Participants must have had a short story published OR have already participated in a Writers Victoria Advanced Short Story Clinic to enrol in this course.

Stories of up to 1,500 words due Wednesdays 1 August, 5 September, 10 October and 7 November

About Paul McVeigh

Paul McVeigh’s short fiction has been published in journals and anthologies and been commissioned by BBC Radio 3, 4 & 5, Faber & Faber and Sky Arts. Paul is Director of the London Short Story Festival and Associate Director at Word Factory, the UK’s national organisation for excellence in the short story. He is also a judge for international short story competitions and prizes including, this year, The Dylan Thomas Prize, The Edge Hill Short Story Prize and The Sean O’Faolain International Short Story Prize. His award-winning debut novel ‘The Good Son’ was published by Salt Publishing in 2015 and his work has been translated into seven languages.

PaulMcVeigh short story

Start your day with a burst of creativity!

Write & Shine runs a programme of writing workshops that embrace the inspirational power of the morning.  Writer Gemma Seltzer will guide you through the sessions, waking you up with words & energising you for the day ahead.

Our workshops take place bright & early in peaceful central London locations & are open to everyone, whether you’re new to writing, have some experience or simply want to add more creativity into your life. You won’t be expected to share your work, which offers great freedom & encourages all kinds of unexpected ideas to emerge.

For the summer series of workshops, we’ll find inspiration in sunshine, the lighter mornings & the 200th anniversary of Emily Brontë’s birth. Join us from 5 July.

Workshops cost £19 or you can purchase our seasonal membership to motivate you to enjoy all the workshops, events & online sessions we have on offer this summer. Find out more on our website: www.write-and-shine.com

Leicester Writes: Short Story Festival

SHORT STORY FESTIVAL, SATURDAY 30th JUNE 2018, 10.30 AM – 6 PM

LCB Depot, Rutland St, Leicester, LE1 1RE

Join us for a wonderful celebration of all things small and wonderful as part of this year’s Leicester Writes Festival. The day will kick off with a two-hour workshop on writing and editing short stories with writers, Divya Ghelani and Rupert Dastur. The afternoon will be packed with author talks: award winning writers Rebecca Burns and CG Menon will be sharing their experiences of putting their short story collection together, and Jon McGregor and Alison Moore will be in conversation with Mahsuda Snaith to discuss taking the leap from writing short stories to novels. The evening will end in style with our Leicester Writes Short Story Prize anthology launch, where we will be celebrating the talents of this year’s longlist.

10:30 AM – 11:30 AM – ‘The Art of the Short Story’ Workshop

ln this session, Divya Ghelani will introduce and discuss several prizewinning short stories to assess short fiction techniques that are classic as well as experimental. She’ll cover aspects of character, voice, language, and intrigue within the short story form. This workshop is perfect for anyone looking to understand how the short form works and wants to write a successful short story. This session will include a number of writing exercises.

11:30 AM – 12:30 PM – Short fiction: An Editor’s Perspective

How do editors assess short fiction submissions? What are they looking for from short stories and flash fiction?

In this session, Rupert Dastur, senior editor at The Short Story will discuss what he likes and doesn’t like to see from manuscripts. He will offer an insight into how writers can edit their stories so they are ready for publication and offer suggestions on how to manage submissions. Rupert will also share his ultimate list of who to follow and what to read so you can learn from the best. With useful tips and tricks, this session is a must for anyone looking to build their career as a writer.

1:30 – 2:30 PM – How to Publish a Short Story Collection

Join Dahlia Publishing editor, Farhana Shaikh and award winning short story writers, Rebecca Burns and CG Menon as they discuss the process of putting together a short story collection. This session will discuss the publishing process as well as how writers select, organise and write short stories for a collection. Featuring readings with both authors and a book signing.

3 PM – 4 PM In Transit: From short stories to novels

How do writers transition from writing short stories to writing a novel? What skills do they develop in the process and what is it really like to work across forms? In this session, writers share their experiences of starting their careers by writing short stories before turning their hand to novel writing.

Featuring readings from award winning writer, Jon McGregor and Man Booker prize shortlisted, Alison Moore. Chaired by debut novelist and award winning short story writer, Mahsuda Snaith.

4:30 PM – 6:00 PM Leicester Writes Short Story Prize Anthology Launch

Join us to celebrate this year’s winning short stories in our prize giving ceremony and anthology launch. With readings from some of this year’s winners. Leicester Writes Short Story Prize was launched in 2017 to celebrate original short story writing. The judging panel included writers Rebecca Burns, Jon McGregor and last year’s first prize winner, CG Menon.

Tickets: Purchase your all-day festival ticket for just £20, workshops are included in the price.

To book your ticket please visit: https://www.eventbrite.co.uk/e/leicester-writes-short-story-festival-tickets-45782026273

For more information please contact Farhana on f.shaikh@dahliapublishing.co.uk

Bursaries for Arvon Flash Fiction course for BAME/Low income writers

Hello, I’m Tania Hershman and I run ShortStops! I’m also a short story writer and teacher – and I have crowdfunded so that I can now offer three £250 bursaries for BAME writers or writers on low income who would like to attend the Arvon foundation 5-day residential flash fiction course I am co-tutoring, with the amazing Nuala O’Connor, in Devon in November. More details about the course here – there are only a few places on the course left. This funding is coming directly from me –  if you’d like to be considered for one of the £250 bursaries (you will need to pay for the remainder of the course fee yourself) or you know someone who is not on social media who might like to apply, please email me taniah@gmail.com as soon as possible and let me know why you’d like the funding! It’s going to be a wonderful week, come join us!

 

Tania

Fiction Workshop with Claire Keegan

Fiction Workshop with Irish writer Claire Keegan
Goldsmiths University, London
April 21 & 22, 2018. 9:30am–5:30pm, both days.

Claire Keegan, internationally acclaimed author and teacher of creative writing, will run a 2 day fiction workshop in London. This weekend will concentrate on works-in-progress submitted by the participants. Manuscripts (novel excerpt or short story of up to 3,000 words) are distributed to every participant and read with care by all. Keegan will spend between 3-5 hours on each text before the workshop begins and then examine and discuss every text with the group.

Discussion will include the structure of a narrative, paragraph structure, time, tension, drama, melodrama, statement, description, suggestion, conflict, character, humour, point of view, place and time. The aim, always, is to help each author with the next draft.
The weekend will be of particular interest to those who write, teach, read or edit fiction — but anyone with an interest in how fiction works, improving their prose and/or helping others to do so, is welcome to attend. While most participants like to submit a manuscript, this is not a requirement.

Tuition £380. To book your place, email ckfictionclinic@yahoo.com – Enquiries welcome.

Claire Keegan has written Antarctica, Walk the Blue Fields and Foster (Faber & Faber). These stories, translated into 17 languages, have won numerous awards. Walk the Blue Fields was Richard Ford’s Book of the Year in The Guardian, 2010 and won the Edge Hill Prize. Foster won the Davy Byrne’s Award, then the world’s richest prize for a single story. The stories have been published in Best American Stories, Granta,
The Paris Review and the New Yorker. Keegan also has earned an international reputation as a teacher of fiction, having taught workshops on four continents.

Of Antarctica: “These stories are among the finest stories recently written in English.” The Observer
“Every line seems to be a lesson in the perfect deployment of both style and emotion.”–Hilary Mantel
“Every single word in the right place and pregnant with double meaning.” – Jeffrey Eugenides, The New York Times
“Perfect short stories” – Anne Enright
“Keegan is a rarity, someone I will always want to read.” – Richard Ford
“The best stories are so textured and so moving, so universal but utterly distinctive, that it’s easy to imagine readers savouring them many years from now and to imagine critics, far in the future, deploying new lofty terms to explain what it is that makes Keegan’s fiction work.” -The New York Times

London Lit Lab: Write and Edit a Story in a Weekend 7-8 Oct

We had so much fun teaching Write and Edit a Story in the spring that we’ve brought it back again this autumn. Only this time we’re not only dissecting the short story, but also the personal essay.

We all have different strengths and weaknesses as writers. For some, getting a first draft down is a necessary torture before the fun of editing begins. For others, editing is the agony after the ecstasy!

This two-day course is designed to get you both writing and editing, by combining dedicated creative time with an intensive tour through ways to improve your craft.

On day one, we’ll kick off by exploring ways to turn our ideas into full stories, whether we’re writing fiction or creative nonfiction, from getting first words down to finishing a draft. You will then have ample time and space (and tea and cake) to write, in the quiet company of fellow scribblers.

On day two, we will work through a series of editing approaches, which you will be able to apply to your own work. Think of these as a series of editorial experiments that will throw new light on plot, style, characterisation, setting, dialogue, openings and endings. We suggest that you bring your draft from the previous day (or another story or essay if you prefer), in multiple copy or on a laptop, so that you can test out approaches even if you choose not to apply all the editing techniques we teach in the session. We’ll discuss the results and share our work if we wish. In the spring both Zoe and Lily shared a very rough draft of their own writing, to be pulled apart by the group, but it was a great learning curve for everyone. So we’ll most likely do this again as well. Eek!

You don’t have to come up with an idea on the spot. You might have an idea you’ve been wanting to write, or a piece you have already started. Please bring this with you, to draft on day one. For those who want a new idea, we’ll provide optional idea-generating material to get you going.

This course is suitable for both beginners and committed writers. For both those writing fiction and creative nonfiction. Whether you’re dabbling in your first short stories or personal essays, or you’re compiling a short story collection, or writing a memoir, we welcome you. By the end of the course we’ll endeavour to help you have a new draft of a story or essay, and a range of editing skills to help get it into shape.

Course fee: Early Bird £189. Full fee £229

Date and Time: Weekend of October 7th & 8th, 10am-4pm

Location: Clapton Laundry, London – a luxurious, inspiring space in East London, where you will have plenty of space to spread out and find a quiet spot during the first day of writing. Lunch will also be provided

Tutors: This course will be taught by both Lily Dunn and Zoe Gilbert of London Lit Lab. By leading workshops together, we are able to bring two perspectives to everything we teach, and therefore everything is up for discussion! Sharing our differing approaches to writing helps to create a richer learning experience, which we believe benefits everyone who comes on our courses.

Places are limited, so if you would like to reserve a place, or for more information, please get in touch at info@londonlitlab.co.uk

We have one place on this course available at a 75% discount for a writer who would struggle to pay the full fee. If you, or someone you know, would like to apply for this place, please write to us at info@londonlitlab.co.uk, by 23rd September. In no more than 200 words, please tell us why you would like to come on the course, what you write, and why a discounted place would be valuable to you. We won’t be fact-checking but we really want to give this place to someone who genuinely needs it, so please be honest. Thanks, and we look forward to hearing from you.

http://www.londonlitlab.co.uk/