Submit to 2020 Shooter Short Story Competition

Shooter Literary Magazine’s 2020 Short Story Competition is now open to stories of any style, subject or genre, up to a max of 5,000 words. The contest spotlights the best emerging literary talent, with £500 in cash prizes and publication both in the magazine and online.

Shooter seeks imaginative, absorbing and beautifully written work that brings characters to life and elicits an emotional response from the reader. In short, we want well written tales that appeal to both the head and the heart.

In return for the £7 entry fee (or £10 for two), all entrants receive an e-copy of Shooter’s winter 2021 issue, which will feature the winning story.

  • The winner of the 2020 Shooter Short Story Competition will receive £400, publication in the winter issue and on the website, and promotion on Shooter’s social media.
  • The runner-up will receive £100, publication on Shooter’s website, and promotion on social media.
  • All entrants will receive an e-copy of Shooter’s winter issue.
  • Stories may be any theme or genre, up to a max of 5,000 words.
  • The competition is open to entries through May 31st, 2020.
  • Winners will be announced in July 2020
  • All proceeds from entry fees go toward prizes, contributor payments and Shooter’s production costs, supporting our mission to promote the best new writing and encourage the principle of paying writers for their work.

To enter, please email your story (as a Word or PDF file) to competition.shooterlitmag@gmail.com by the deadline of May 31st, 2020. Include your name, title of story and word count in the body of the email, with no identifying information on the story itself. Multiple entries are accepted. Payment can be made via Shooter’s website at https://shooterlitmag.com/competition.

Other information can be found at https://shooterlitmag.com. We look forward to reading your work – good luck!

Stroud Short Stories is Open for Submissions until 8 March 2020

Stroud Short Stories is currently open for submissions for its special 20th event which is dedicated to Stroud writer Rick Vick who sadly died at the end of November. There were obituaries for Rick in The Times and The GuardianHere is the latter.
 
The event is for all Gloucestershire and South Gloucestershire writers. The theme this time is DISRUPTION. Submissions are free and you may submit unpublished or published stories. Ten stories will be selected and their authors will read/perform them at our event.
The deadline is the end of Sunday 8 March and the event is on Sunday 19 April at the 150-seater Cotswold Playhouse. Tickets will go on sale on 20 March.
 
All information about submitting is on the Stroud Short Stories website.

Short Fiction Prize now open

The editorial team at Short Fiction journal are excited to announce the relaunch of our internationally-renowned Prize, now the Short Fiction/University of Essex Prize. It offers £500 for the winner and £250 for the runner-up, and will be judged by acclaimed author Jon McGregor.

Submissions are open now! The deadline is 31 March 2020, but if you enter in January or February, you’ll benefit from a discounted entry fee of £7 instead of £9. We are also offering 25 free entries for writers for whom the fee would be a barrier to entry – but hurry, as these are offered first-come, first-served.

It’s the start of a new and exciting time for us, as we’re affiliating with the University of Essex LiFTS department – not just through their sponsorship of the Prize, but also to support our publishing excellent short fiction as we head into the new decade. In the coming year we’ll be getting into a position to handle submissions through Submittable, reduce our response times and – best of all – significantly increase our payments to writers.

But, for now, the Prize! All details are on the Competition page of our website, but the headlines are: it’s open internationally, judged blind, with a maximum length of 5,000 words. A shortlist will be announced in May, with the winner and runner-up chosen by Jon McGregor and announced in June.

We can’t wait to start reading your entries – and we’d really appreciate it if you could spread the word about the Prize through your own networks. Thanks!

Ruby, Agri, Liam, Maria, Emma, Naush and Jon

Is Your Work Too Intense?

deadline 10 janIf it is, we’d like to see it. The A3 Review and Press is seeking flash fiction or short stories that overshare, are deeply lyrical, and say something about what it’s like to be alive at this point in time. Deadline is 10th January 2020.

For examples of the kind of prose The A3 Press publishes, check out MASH by Lena Ziegler, Jason Jackson’s The Unit, and My New Car by Alan Sincic.

Selected titles receive £200 and 10 copies of the published work.

For more details and how to submit, visit their Submittable page here.

Story Friday LEAP! Call for submissions

Story Friday in February has the theme LEAP! in celebration of 2020 as a leap year. Story Friday is on 28th February, the day before the leaping day, and we want to revel in the glory of this springing theme! Whether your stories feature proposals or boxing hares, Christmas lords or death defying jumps, we are so looking forward to reading what you come up with!

Story Friday LEAP! will be on 28th February, deadline for submissions is 17th February. We’re looking for stories that are 2,000 words or fewer.  (Full submission details are here).  Writers must be available to come to Bath for the event.  If you’d rather not read, we have wonderful actors who can read your story for you.

For more information about Story Friday, to listen to stories that we have recorded at our events over the years, and/or to submit your story please visit A Word In Your Ear.

Writing Short Stories with Cynan Jones

Write and edit a complete short story and learn essential fiction-writing techniques on Curtis Brown Creative’s brand new six-week online course, Writing Short Stories led by award-winning short story writer Cynan Jones. Cynan won the Betty Trask award for his novel The Long Dry and he won BBC National Short Story Award in 2017, for which he was on the 2019 judging panel . His short stories have appeared in a variety of anthologies and in journals and magazines including Granta and the New Yorker.

We interviewed Cynan to find out more about his love of short fiction…

You won the BBC National Short Story Prize for your story The Edge of the Shoal in 2017 and now you’re on this year’s judging panel for the prize. How does it feel to come full circle? And what do you look for when reading short stories for competitions?

Judging the competition has certainly pointed out what an extraordinary thing it was to win. Ultimately, all a writer can do is write as strongly as he or she can, and work on a story until it’s the best possible piece they can produce. What happens to that story is a product of the work and attention put in. If nothing else, I know I’ve really worked hard to write strongly. In many ways then, it feels less of a circle and more of a starting point! What next? I’m always aiming to challenge myself.

The sense a writer has challenged him or herself is in the best stories too. You read great pieces and think, ‘How!? How did they write that?’ Such stories feel both totally impossible to write, but as if they couldn’t be written better.

When reading stories for competitions I look for that. Stories that take narrative risks and show the technical ability to make those risks pay off. That’s much rarer than you think.

What initially inspired you to start writing in short fiction?

I think several elements led me to shorter forms. Firstly, the thing of reading a story from start to finish in one sitting. I loved that as a reader and – as most of us are copyists when we first start writing – wanted to replicate that experience.

I also think that, even in my initial attempts at serious writing, the way my prose hit the page lent itself to shorter form. I aimed always to put a picture down as simply and powerfully as I could and relied on the reader to think and feel in response. That meant I didn’t write a great deal of explanation or back story, or direct a reader how to react. In itself, that makes for fewer words.

In retrospect, perhaps too there were constraints as to how long I could really dedicate to the process of writing when I first started. I usually had about three months for writing at the beginning of the year before the freelance work I did at the time really got going. Perhaps that made me feel I needed to write something I could start and finish in one block. (Which loops back to the first thing I mentioned here, about the immersive experience of starting and finishing something in one go.)

We’re thrilled to have you on board as the teacher of our brand-new Writing Short Stories course. What’s your favourite part of teaching?

Probably how teaching makes you dig into your own process and really work to understand it so you can pass what you know on.

Other than the help of the world-class authors I read, I taught myself to write. Because of that, it’s only since teaching that I’ve really dissected exactly what it is I do, and that’s helped me take things further.

Could you share your top three tips for writers who want to start writing short stories?

Read.

Work at the craft.

Don’t write to be published.

Read the full interview with Cynan over on the Curtis Brown Creative blog.

Curtis Brown Creative’s brand new Writing Short Stories course led by Cynan Jones is open now for enrolment. It starts on October 17th 2019.

Short Stops readers can get an exclusive 10% off by using code: SHORTSTOPSCBC

 

Story Friday Chemistry – we want your stories!

After a lovely long summer and story walks in the sun, Story Fridays is back inside, at Burdall’s Yard in Bath.  Our next event in November has the theme Chemistry. Are you thinking of bunsen burners, or eyes meeting across a crowded room? Whatever you choose, chemistry is all about reactions, explosive or otherwise. We can’t wait to see where our latest theme takes you!

Story Friday Chemistry will be on 8th November, deadline for submissions is 28th October. We’re looking for stories that are 2,000 words or fewer.  (Full submission details are here).  Writers must be available to come to Bath for the event.  If you’d rather not read, we have wonderful actors who can read your story for you.

For more information about Story Friday, to listen to stories that we have recorded at our events over the years, and/or to submit your story please visit A Word In Your Ear.

 

Words That Go Bump in the Night – Warwick Live Lit!

Let us creep a little closer to Hallowe’en courtesy of Words That Go Bump in the Night – a spooky live lit event at the Warwick Arms Hotel, Jury Street, Warwick, on Thursday 10th of October.  Be part of our invited audience and enjoy some exceptional 5 minute stories, poems and plays all with a ghostly, other-wordly theme. Run by author Jenny Heap, her Words Of events have been playing both Spring and Autumn seasons to ever growing audiences and participants. If you’ve never attended a Words Of live lit event before come along to Words That Go Bump In The Night on the 10th of October to hear some great writing from local authors. 7.30pm and £3 on the door.  See you there!

Submissions open for Shooter #11: Supernatural

Shooter Literary Magazine has reopened to submissions for its upcoming winter issue, themed Supernatural, as well as the 2019 Poetry Competition.

Submissions for Issue #11 should revolve around anything to do with the occult. Psychological spookiness, eerie suspense, weird mysteries and unexplained phenomena are welcome elements, as well as the more obvious demons, angels, witches and ghosts. Religious themes are also relevant. Writing must be of a literary standard, not genre fare trading on shocks or gore. The deadline is November 17th. Please visit Shooter’s Submissions page for further guidelines.

The 2019 Poetry Competition is also open to entries, with no restriction on theme or style. Poems can be up to 100 lines long and multiple entries are allowed. The winning poet will receive £150 and publication both in the winter issue of Shooter and online, while the runner-up wins £50 and online publication. All entrants receive an e-copy of the winter magazine, featuring the winning poem. For guidelines on how to enter, please visit Shooter’s Competition page.

Writers who are familiar with the type of work that we publish are often more successful; past and current issues of Shooter are available to order via the Subscriptions page. We look forward to reading your work – good luck!

Liars’ League: INFINITY & BEYOND short stories, Tuesday 11th June

Infinity symbol or sign. Abstract night sky background

WE HAVE LIFT-OFF! Liars’ League‘s sci-fi-flavoured special to commemorate 50 years since the moon landings features five forward-looking stories exploring the ultimate theme. Teleport into The Phoenix, Cavendish Square on Tuesday 11th June to experience deep spacetime-travel tourismcryogenics gone wrongvanishing clones, astronautical ambitions and a terrifying game of Murder in the Dark …

INFINITY & BEYOND WINNING STORIES
London 2025 by Wan Shinfah NEW AUTHOR, read by Cliff Chapman
Proxima Centauri by Oliver Parkes NEW AUTHOR, read by Greg Page
How to be an Astronaut by Alice Franklin, read by Gloria Sanders
The Martlet by Abigail Lee, read by Lois Tucker
Frozen Futures by Rhys Timson, read by Tony Bell

Usual NASA rules apply: doors open at 7pm for a 7.30 start and tickets are £5 on the door (currently cash only, sorry, but there’s a cashpoint 2 minutes away). Entry includes a programme, participation in our infamous book quiz where fantastic science fiction can be won, and of course all the Flying Saucers you can eat. Drinks and food are available at the bar throughout. There’s no pre-booking, but tables for four or more can be reserved by calling 07808 939535.

The venue is the downstairs bar at: The Phoenix Pub, 37 Cavendish Square, London W1G 0PP

Accessibility note: Access to the basement is via stairs: there’s no lift, sadly. The Phoenix is 5 minutes’ walk from Oxford Circus tube station, which is on the Victoria, Bakerloo and Central lines

The Child in Society

Weekend of Fiction Writing & Reading with Claire Keegan

Amber Springs Hotel, Gorey, Co Wexford

June 29 & 30, 2019children

There can be no keener revelation of a society’s soul than the way in which it treats its children. Nelson Mandela

For two days, Claire Keegan, author of Foster (Faber & Faber) will explore fiction writing through the linked theme of The Child in Society. Discussion will include the rights of the child, having and not having children, fathering, mothering, fostering, adopting and neglecting children. Participants will be asked to imagine being a boy, a girl, a parent, a child minder – and undoubtedly there will be talk around housing, fathering, contraception, pregnancy, money, hunger, mothering, sleep and what it means to love and be loved, to mind and to be minded — from different points of view. The lecture will explore and display how time, tension, drama, dialogue and narrative structure are put to use in the following:

Jude the Obscure, a novel by Thomas Hardy

The River,” a story by Flannery O’Connor

Sleepyhead,” a story by Chekov, translated by Constance Garnett

The Widow’s Son,” by Mary Lavin.

Vera Drake, a film by Mike Leigh

Tuition 350 euro. Reservations can be made by emailing ckfictionclinic@yahoo.com

For more information, go to ckfictionclinic.com

Masterclasses and author talks for short fiction lovers

For five years Novel Nights has been at the forefront of live lit in Bristol & Bath, programming author talks with authors like Maggie Gee and Nathan Filer.

This year we’re launching masterclasses, taught by experienced academics and writers. Tom Vowler will teach our first class, From Spark to Flame: Forging The Short Story on 27th April.  Tom is short fiction editor at Unthank Books, has published two short story collections and his third novel is out soon. He teaches at Arvon Foundation and Plymouth University.

“A masterclass to unlock some of the mysteries of this dazzling literary form. Aimed at both emerging and published writers, the class will explore how stories are crafted, how you can bring them to life, give them voltage and vitality.” 

On September 8th, Vanessa Gebbie will lead a day-long flash-fiction masterclass in Bristol. Tickets in advance.

“An in-depth look at flash fiction, aimed at any writer who is interested to start or continue an exploration of this sparkling form. You will create  many fresh pieces thanks to tried and tested games and exercises –  your tutor never asks you to share your writing, so you are unencumbered as you play freely and focus on meeting your new characters, voices and forms within forms.” Vanessa Gebbie has won awards for both prose and poetry, including a Bridport Prize and the Troubadour. Author of ten books, including five collections of short fictions, two of poetry and a novel, she is also commissioning and contributing editor of Short Circuit: Guide to the Art of the Short Story (Salt).

Novella-in-flash author talk 

On May 11th we’ve invited Michael Loveday, judge of the 2019 Bath Novella-in-Flash Award, to discuss writing a Novella-in-Flash and to share insights into the judging process.

Tickets only £8.50 from Novel Nights. Square Club, Bristol. BS8 1HB. Flash writers are welcome to submit to read

 

 

 

Write a Book in June. It’s doable!

30 days

30 Days of Writing is a practical online course for writers who’d enjoy the challenge of putting together a book in a month.

The course is especially suited to anyone who’d like to take on a short story project not necessarily linked to a book project you’re working on. It’s an opportunity to create that passion project you’ve been mulling over for years, and to explore different concepts of what consitutes a book.

The course is run by the writer Shaun Levin, who is also the editor of The A3 Press, a new chapbook press, and the creator of Writing Maps.

The online course is devised so that you can start a project from scratch and complete a first draft by the end of June. The course is a month-long commitment, and will benefit anyone who’d like the inspiration and support to write daily for 30 days alongside other writers from around the world.

To find out more about the course, please click here.

Whether you’re writing fiction, non-fiction, hybrid writing, creating comics or illustrations, we’ll look at how to create a layered and dynamic work. Some of the elements we’ll focus on will include: movement in time and place, conflict and tension, chronology and tone, as well as ways to enhance your text through research and the inspiration of genre companions.

The primary focus throughout the course will be your daily practice of writing and the creation of your book.

Dates: 1 June – 1 July 2019

Fee: £260 (£200 early-bird rate before 30 April)

limited to 15 participants

About the tutor: Shaun Levin is the author of Snapshots of The Boy, A Year of Two Summers and Seven Sweet Things, amongst other books. He has been teaching creative writing for over twenty years and has worked closely with writers at all stages of their journey towards publication.

 

Liars’ League BEFORE & AFTER story readings – this Tuesday April 9th

rollercoaster crop text

As Brexit looms (or does it? who knows …?!) long-running, award-winning live literature legends Liars’ League have selected six superb stories of choice & change to take your mind off it all at our BEFORE & AFTER show on Tuesday 9th April. There are escapes & tippingpointscats & cowssex & deathpoetry & fistfightsyoga & porn, the Berlin Wall & a fishtank full of ghosts. And it’s STILL only £5 entry, which includes a programme, our infamous book quiz, and free birthday cake because we’re 12 🙂

WINNING STORIES for BEFORE & AFTER
Last Rites by Jess Worsdale, read by David Mildon
Namaste Bitches by Ana Soria, read by Keleigh Wolf
Counterfiction by Tim Aldrich, read by Tim Larkfield
The Poetry of Jenny by Gerard McKeown, read by Zach Harrison
No East or West by Mark Sadler, read by Silas Hawkins
Olena’s Scalpel by Alan Graham, read by Patsy Prince

Doors open at 7pm for a 7.30 start and tickets are a fiver on the door (currently cash only, sorry, but there’s a cashpoint across the street). Drinks and food are available at the bar throughout. There’s no pre-booking, but tables for four or more can be reserved by calling 07808 939535.

The venue is the downstairs bar at: The Phoenix Pub, 37 Cavendish Square, London W1G 0PP

Accessibility note: Access to the basement is via stairs: there’s no lift, sadly. The Phoenix is 5 minutes’ walk from Oxford Circus tube station, which is on the Victoria, Bakerloo and Central lines.

P.S. Want to submit a story for our next event, Infinity & Beyond? Deadline is Sunday 5th May and all the details are here

Story Friday The Garden – Call for Submissions

Story Friday in May has the theme The Garden.  I don’t know about where you are, but here in Bath the blossom is blooming, the tulips are budding and spring is definitely springing. So take a stroll down the garden path and let your imagination fly.

Story Friday The Garden will be on 3rd May, deadline for submissions is 22nd April.  That’s very soon, so get writing! We’re looking for stories that are 2,000 words or fewer.  (Full submission details are here).  Writers must be available to come to Bath for the event.  If you’d rather not read, we have wonderful actors who can read your story for you.

For more information about Story Friday, to listen to stories that we have recorded at our events over the years, and/or to submit your story please visit A Word In Your Ear.

Stroud Short Stories is open for submissions until 31 March

Stroud Short Stories is open for submissions from Gloucs and South Gloucs writers until 31 March – for our 19 May 2019 event in a new venue, the Cotswold Playhouse in Stroud. It’s free to submit and we are happy to consider published and unpublished work.

There’s a theme this time – Incendiary! Think of the theme as widely and flexibly as possible – stories about fire, heat, passion, anger, rebellion, incineration, climate change, inflamed senses, etc, etc.

As well as reading before an audience of 150 short story lovers at the Cotswold Playhouse in Stroud, the authors of the ten stories chosen will be offered a place in our next published anthology – due 2021.

Tickets for the 19 May event will be available from 21 April on the Cotswold Playhouse website.

All the info you need is on our website – http://stroudshortstories.blogspot.com/

Shooter seeks submissions for Identity issue

Shooter Literary Magazine has opened submissions for its summer issue (#10), which will be Identity.

The biannual lit mag (recently reviewed in the TLS) wants stories, essays, reported narratives and poetry on anything to do with the sense of self, whether personal or cultural. What defines someone – character, actions, associations, appearance? Why is identity important? What happens when it’s threatened? Shooter particularly seeks content that addresses topical issues of gender, sexuality, race, nationality, religion and occupation, but the theme is open to wide interpretation.

For anyone with stories outside that theme (and keen to reap a rather larger cash reward), Shooter’s 2019 Short Story Competition is also open for entries. The winner will collect a £500 prize, with publication online and in the summer issue, while the runner-up receives £100 and online publication.

Deadline for both general and competition submissions is April 21st. Please visit Shooter’s Submissions or Competition pages for guidelines on how to submit.

Liars’ League: LOVE & LUST Valentine special, Tuesday 12th February

love & lust

Are you lonesome tonight? Does your lit need a light?
Do you like booze and fiction and art?
Do you find Valentine’s weighs on hearts and on minds?
Would you like us to uplift your heart?

Then look no further, because Liars’ League has found six pulse-pounding stories for our (just pre-)Valentine’s event, LOVE & LUST, and you can hear them all for just a fiver! On Tuesday 12th February our professional actors will read brand-new fiction featuring pagan bonfires, lustful teens, scarlet knickers, ill-advised one-night stands, fish suppers, sex at the Imperial War Museum and (naturally) the end of civilisation – and we’d love you to be there.

WINNING STORIES FOR LOVE & LUST
A Shared History by Seth Marlin NEW AUTHOR, read by William Teller
Fish-fish by Cherry Potts, read by Math Jones
The Wicker Heart by Alan Graham, read by Peter Kenny
The Red Satin Flag of Resistance by Mark Sadler, read by Silas Hawkins
Soul Searching by Liam Hogan, read by Keleigh Wolf
Lili of the Valley of the Shadow by Derek Ivan Webster, read by Alex Greenhalgh

As usual, doors open at 7pm for a 7.30 start and tickets are £5 on the door (currently cash only, sorry, but there is a cashpoint across the street). Drinks and food will be available at the bar, though there are also free Loveheart sweets and the infamous interval quiz features red-hot brand-new books to be won! There’s no pre-booking, but tables for four or more can be reserved by calling 07808 939535.

The venue is the downstairs bar at:
The Phoenix Pub
37 Cavendish Square
London W1G 0PP

Accessibility note: Access to the basement is via stairs: there is no lift, sadly.

The Phoenix is 5 minutes’ walk from Oxford Circus tube station, which is on the Victoria, Bakerloo and Central lines.

Story Friday Invitation – Call For Submissions

Best invitation ever?  Worst??

Story Friday  in March has the theme Invitation… to the ball, to the party, to the pub, to the moon, to the wedding, to heaven, to hell?  What is more intriguing than the perfect – or imperfect – invitation? We are inviting writers to write their favourite invitation story for a glorious story-party in March.

Story Friday Invitation will be on 22nd March, deadline for submissions is 11th March. We’re looking for stories that are 2,000 words or fewer.  (Full submission details are here).  Writers must be available to come to Bath for the event.  If you’d rather not read, we have wonderful actors who can read your story for you.

For more information about Story Friday, to listen to stories that we have recorded at our events over the years, and/or to submit your story please visit A Word In Your Ear.

Submit to National Flash Fiction Day 2019!

m15flat-bwtextNational Flash Fiction Day this year will be on Saturday 15th June Submissions for the 2019 National Flash Fiction Day anthology and micro fiction competition are NOW OPEN!

Anthology

This year’s theme is filled with possibility…or not! Our theme can reveal secrets to us and it can keep danger hidden. Is it trying to keep everyone from getting in, or is it trying to keep you from getting out? Knock, knock, who’s there? It’s our theme: Doors!

We want you to open the door to stories wild with imagination. We’re looking for those creepy mysteries about doors we can’t find the key to. We want those funny tales of frustration when doors do exactly what they’re supposed to when we don’t want them to. Maybe the stories you want to share are about metaphorical doors, filled with the disappointment of doors that are closed to us or brimming with excitement at new opportunities. Whichever door you decide to write about, make sure it’s your best and that is fewer than 500 words!

This year’s editors are Joanna Campbell and Santino Prinzi.

Please submit up to three (3) unpublished flashes of 500 words or fewer before our deadline. Titles are not included in the word count.

The submission fee for this year’s anthology is: £2.50 for one (1) entry, £4.00 for two (2) entries, and £6.00 for three (3) entries.

The deadline is Friday 15th March 2019, 23:59pm GMT.

Please visit our website for the full submission guidelines.

 

Micro Fiction Competition

Entries are open for this year’s National Flash Fiction Day Micro Fiction competition! This year’s judges are Angela Readman, Diane Simmons, Kevlin Henney, and Judy Darley.

First prize is £75.
Second prize is £50.
Third prize is £25.

The winning and shortlisted authors will be published in the National Flash Fiction Day 2019 anthology. Winning and shortlisted authors will also receive a free print copy of this anthology.

Please submit up to three (3) unpublished micro fictions of 100 words or fewer before our deadline. Titles are not included in the word count and there is no themefor the micro fiction competition.

The entry fee for this year’s micro fiction competition is: £2.00 for one (1) entry, £3.50 for two (2) entries, £5.00 for three (3) entries.

The deadline is Friday 15th March 2019, 23:59pm GMT.

Please visit our website for the full submission guidelines.

 

Support

In previous years we have had funding and have been able to offer free entry to everyone. Other years, like this year, we do not have funding and have needed to charge a small fee in order to cover our costs so we can continue doing what we do.

We would like offer free entry to disadvantaged and marginalised writers but we do not have the funding we need to be able to do this. We are working to try and secure funding.

If you would like to help us achieve this by donating entries for the anthology or micro competition, please email us: nationalflashfictionday@gmail.com.