Free Membership @JerichoWriters – LISP 4th Quarter 2018 News!

Writers! We have great news.

The London Independent Story Prize 4th Quarter Deadline is on 12th November 2018.  And beside the £200 cash prize, our winner will also receive One-Year Membership from Jericho Writers, which is worth £195.00!

LISP is accepting 300 Word Flash Fiction stories NOW! Deadline is coming, so hurry up.

Don’t miss the great prizes!

Jericho Writers is a club for writers, created by writers. They organise wonderful courses, webinars, one-to-one agent meetings, and great events that you can extend your network.

Simply, Jericho Writers is helping writers to get published.

Click to read the success stories!

Could you be next?

Please click the link to find out more about this wonderful platform!

AND CLICK HERE TO SUBMIT YOUR STORY !!

Deadline Day is Coming! London Independent Story Prize

Just a few days left until the Deadline! 10th of January!

Polish those 300-word short-short stories and take your chance. Become a part of this wonderful community of writers and storytellers. Take the chance of winning the prize! Give your story a chance to be recognised.

Check out the 2018 Calendar from here LISP.

LISP judges are looking for strong and unique voices, check out the interviews with the judges on the website.

‘Originality must come from other resources: from one’s own voice, personality, character.’ Luis Pizarro, LISP judge.

‘Given that the story can only be 300 words, I am looking for something beyond the ephemeral, a story that will make an impression.’ James Kirchick, LISP judge.

‘LISP is based on creating a great community and, of course, all the writers who attend the competition will definitely be a part of this network. However, winners are winners, and they will have the greatest advantage. First of all, the prize and publication, and when you win a competition, it means that your pen has been recognised, which is a great feature for any writer. Not only while trying to reach agents or publishers, but also the personal satisfaction is priceless. Especially for young writers, it’s a way to build confidence.

As an award winner, I can also say that it helps you to improve. Now you see that you can write things that others appreciate as well, which encourages you to be even bolder.’ Ozge Gozturk, LISP founder.

New Things: An Issue, A Contest, The A3 on Instagram

Screen Shot 2017-04-12 at 14.47.30Inspired by the How to Turn Food Into Words Writing Map, this month’s contest theme is Dinners. The A3 Review invites you to submit short stories, poems and artwork about the things that happen round a table. Or after dinner. Or in the build-up to a meal. School dinners and candlelit dinners. Dinners with friends and work dinners. Create stories out of dinners you remember and dinners you wish you could remember.

Visit our Submittable page here for more suggestions and inspiration. Follow us on Twitter, too. A bit late to the party, but we’ve recently made it to Instagram! Read pieces from back issues, and see more closely what we’re up to here at The A3 Review. Click here to visit us on Instagram.

The April deadline is the 22nd. As always, we welcome short stories, flash fiction, poetry, comics, graphic stories, a snippet of memoir, photographs, illustrations, and any combination of the above. The only restriction is a word-limit of 150 and images should fit well into an A6 panel.

One more bit of news (drumroll, please)… Issue 6 is here! That means we’ve been around for three years already. Take a look at the new issue by clicking here. The contributions to Issue 6 take us from Sicily to Los Angeles via the Outer Hebrides. Oranges, fire, Lenin, kittiwakes and Dali’s Crucifixion are just some of the people and things glimpsed along the way.

Join us on our journey at: http://thea3review.com/

Keep writing!

Working Dogs ‘International’ Short Story Competition 2015

The very best 2015 competition entries have been published in one anthology entitled ‘Last Call & other short stories’ which features fictitious canines portrayed in many different roles – companion, hero, fighter, helper – from Swiss mountain ranges to small-town Canada, across urban and rural landscapes – providing the reader with a compelling variety of tales and countless memorable journeys. Naturally, we think this would make a ‘novel’ gift for any dog owner or short story enthusiast!

A compelling variety of tales and countless memorable journeys.

A compelling variety of tales and countless memorable journeys.

Encouraging this theme provided a broad canvas of possibility whilst highlighting the potential and positive impact canine companions have on human lives.  We were delighted with the global reach of the competition as we promoted a worldwide submissions policy, reflecting our interest in talented writers regardless of geography.

Congratulations to the prizewinners and many thanks to all who entered the competition -visit www.ouenpress.com to view the FINAL RESULTS.

London-based Guardian newspaper journalist and author, Robert Hull won top place in for his work ‘Last Call’. Other prizewinners were fellow British journalist Jane Connolly, for Old Tricks and Canadian author, Claire Lawrence for God’s Dog Day.

Having seen the interest this competition has generated with both experienced writers and those new to the short story form, it is our intention to run an annual competition.

Deadline dates and next year’s theme will be made available on our website early in 2016 – or you may wish to check in with us on Twitter @OuenP  for more regular updates on future competitions and all our other activities.

Good luck with your writing projects and very best for the festive season!

Ouen Press team

Thinking of crowdfunding your short stories?

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Although it’s been around for a little while now, there’s still a slight wariness from writers considering the crowdfunding route as a way of getting their next set of short stories published. This is the route that allows writers to generate financial support from their personal and professional networks in exchange for physical rewards, and is emerging as an invaluable marketing tool for self-publishing authors as well as insightfully gauging the interest of a book early on, directly from potential readers.

‘It’s too much work’, ‘It’s not as prestigious’, ‘I might not get as much return for my book’ are all responses you might hear cautious authors giving as they assess their options. And for some books this might be true, but for others, crowdfunding is the route they wish was available years ago.

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The great thing about crowdfunding is that it’s the only form of publishing where readers can obtain the book directly from the author. It connects readers to the person behind the imagination, it attracts writers that are truly passionate about writing and sharing it with their readers, and it also invites readers to take ownership of what they love to read rather than simply judging a book from the safe confines of a bookshop.

You may not become the most famous author through the crowdfunding route, but you’ll certainly be able to grow a strong community of people committed to supporting your work. In addition, the satisfaction of shaping each stage of the writing, design and sharing of your literary masterpiece could be truly fulfilling.

‘With the introduction of crowdfunding, self-publishing no longer has to be a solo venture’. Positive Writer

And that’s where we come in. Here at GOODFRUIT we aim to address the two biggest hurdles to publishing and selling a book – obtaining funding and sourcing expertise. You’ll be able to gain both of these during your crowdfunding campaign through offering rewards in return for financial support (such as a copy of the book), as well as raising a team to help you (graphic designer, editor, printer).

So if you’re a budding or veteran writer we’d love to hear from you. Take a browse of the GOODFRUIT Lewis Literary Contest we’re launching – a contest searching for three writers who want to publish a story or publication they have written or working on. The GOODFRUIT Literary Contest will be calling for short story writers (including other genres) to step into the shoes of inspiring authors in history, to write and publish books with imagination and meaning, to challenge the hearts of readers and to bring their stories to fruition.

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Deadline: 23rd September

Rules and Entry Information: http://goodfruit.co/community/the-goodfruit-literary-contest/

Email literarycontest@goodfruit.co with any question

Dee Atkins is the Community Manager for GOODFRUIT, a new kind of crowdfunding platform where people pledge funds or skills to bring ideas enriching culture to fruition. Our mission is to make it as easy as possible for culturemakers (entrepreneurs, creators, authors) to launch and scale ideas/businesses. Dee loves a good book, second-hand stores and putting on new socks. dee@goodfruit.co

 

That Killer First Page – Submitting to Competitions and Journals

 That Killer First Page – Submitting to Competitions and Journals

Crescent Arts Centre

2-4 University Street

Belfast BT7 1NH

August 5th. 10am-1pm

Tickets: here

PaulMcVeigh short story

This year Paul is judging:

The Penny Dreadful Novella Prize alongside Sara Baume and Colin Barrett. Deadline: Sept 30.

The I is Another Short Story Competiton from Holland Park Press alongside Laura Del-Rivo. Deadline: Aug 31.

The sole judge of the Bare Ficton Short Story Prize. Deadline: Oct 31.

 

Content

You’ll find out what competition judges and journal editors look for in a short story and how to avoid the rejection pile. You’ll write a short piece and get feedback on that crucial story opening. In a form where every word counts, get tips on staying focused on your story and where to start the action. You’ll also look at submission opportunities; how to find them and where you should be sending your stories.

Focus:
How to get the attention of competition judges and editors
Writing fiction with emotional impact
Writing that killer first page
How to edit your story
Where to send your work

Paul McVeigh’s short fiction has been published in journals inc The Stinging Fly and anthologies and been commissioned by BBC Radio 4. He has read his work for BBC Radio 5, at the International Conference on the Short Story in Vienna, Belfast Book Festival and the Cork International Short Story Festival. Upcoming at Wroclaw Short Story Festival, Poland.

Reviews for his writing:
“Absolutely loved it. The voice of that story is so arresting.” Jackie Kay
“Beautiful and very moving.” Booker shortlisted Alison Moore
“Its such a clever story, gentle, poignant, emotionally straight as a dart.” Vanessa Gebbie
“(one of) Ireland’s most exciting and talented writers.  Incredibly moving; poignant but utterly real, funny and beautifully observant.” BBC Radio 4
“Paul McVeigh’s story stands out. Funny, moving, poignant. Brilliant.” Metro Newspaper

Paul’s short story blog shares writing opportunities and advice and gets 40,000 hits a month internationally. He’s interviewed short story masters like Kevin Barry, Cate Kennedy, Laura van den Berg, Elizabeth McCracken and George Saunders. Paul co-founded and has been the Director of London Short Story Festival for the last 2 years and is Associate Director at Word Factory, the UK’s leading short story literary salon. He is a reader and judge for national and international short story competitions.

This event sold out in Melbourne at Writers Victoria, Waterstones Piccadilly, London and Cork World Book Festival.

 Comments on this class:

“Fantastic! Practical, targeted advice like this is wonderful!”
“This was my fav course yet! Informative, entertaining, and engaging. Hard to beat.””I emerged from the sleepy hamlet of my writing infancy last Saturday and was sky-rocketed, hurricaned, tsunamied, autobahned and g-forced out of my head by Paul McVeigh’s “That Killer First Page” Masterclass at Waterstones, Piccadilly. He’s on top of his game, gives instinctive, constructive criticism and in a few short hours, had conveyed the essence of how to make a story compelling and unputdownable from the first few lines. Get on one of his courses if you can.”

Paul’s debut novel ‘The Good Son’ is out with Salt Publishing.

‘A work of genius…’ Pulitzer Prize-winning Robert Olen Butler

‘Outstanding.’ Granta Best Young Novelist Toby Litt

‘I was blown away… A wildly important new talent.’ Laura van den Berg

‘One of those characters you believe in with all your heart.’ Booker shortlisted Alison Moore

‘Establishes McVeigh as an important new Irish voice.’ Lucy Caldwell

Places are limited to 20

FOR CONCESSIONS and for discount for taking both his Crescent Arts Centre classes PLEASE EMAIL: paulmcveigh@writer.co.uk

Elbow Room Competition

We at Elbow Room have decided to celebrate the diversity and talent we have encountered over three delightful and successful years. We are inviting artists and writers from across the arts to submit work to our inaugural competition, which will culminate in a special event and publication. The competition launched on the 1st of June and, closing on the 16th of August, currently has one month left. We are delighted by the responses so far.

Watching our daily page hits climb and climb and our first entries start to come in feels like the beginning of something very special. Since launching we have had over 2000 page hits from more than a 1000 visitors to the website. Thats quadruple the number of people visiting the site than the month before. But we want still more people to know and so are trying to get the word out about the competition out as far and wide as possible. If anyone has any suggestions or wants to tweet, share it on Facebook, put up posters, blog about it, send out carrier pigeons or write in the sky you are more than welcome to.

Elbow Room was inspired by a desire to muddle up the worlds neatly categorised bookshelves. To stop putting poetry over here and photography over there, fiction over here and sculpture far, far over there, music on this shelf and painting on that one and instead sit them cover-to-cover, showing and sharing inspirations, similarities and yes, differences. We wanted to create a space that celebrates art in all guises and so we made Elbow Room.

This competition is part of that celebration. In October the winners and runners up in all three categories will be part of an event in London, a mini autumn festival of the arts. Somewhere (we haven’t chosen a venue yet) we will host an exhibition and a night of live readings. Short stories, poems and visual art will share a space and an audience for a weekend. In the pages of the competition anthology they will share a space for a lot longer than that.

It is truly important to us that the competition showcases as diverse a cross section of the arts as possible. That we show off the incredible work of incredible artists from across multiple disciplines. In the next month it is your job to decide if you want to enter and share your work with us. It is our job to ensure that our first competition is a true celebration of art in all guises.

We are ready and waiting for all your amazing work. We can’t wait to see what we get.

Here are a few details but for full guidelines and to enter please visit our website www.elbow-room.org/competition

Deadline: Sunday the 16th of August at midnight GMT.

Winners will be notified by Wednesday the 30th of September via email and will be publicised on the website soon after.

The event will be held towards the end of October and will be publicised after the winners are announced.

The Judging Panel includes Rosie Sherwood, Zelda Chappel and Lauren Fried.

Categories

Poetry

Prose

Visual Arts

 

Prizes for each category

First prize in each category: £200

Second and third prizes in each category: £50 each

All winners will be published in a special competition anthology edition of Elbow Room.

All winners will be featured in a London based exhibition and live event.

 

Future Way: Call for Submissions

Calling all doodlers, ponderers, writers, poets and dreamers!

Submit a short story for a chance to be part of an exciting and unique, collaborative public art project in Redcliffe, Bristol.


Following the success of the Bristol Story Trail earlier in the year, get ready for Future Way brought to you by Dream of a Shadow, an online project bridging the gap between reality and fantasy through storytelling.

Working with The Redcliffe Neighbourhood Development Forum (@MoreRedcliffe), Future Way seeks to engage the people of Redcliffe and the wider community of Bristol through a playful and exciting exploration of the area using storytelling.

This is an amazing opportunity for published authors and budding writers in Bristol to collaborate with artists, architects and community groups in a first-of-its-kind, art project which challenges the way we view our city.

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Contributors are encouraged to think about how Redcliffe may be used in the future and set tales within this. Because of the nature of the project, the brief is quite specific and submissions must meet the following criteria:

  • All entries must be set in the future Redcliffe area (how far is up to you)
  • All entries should be in 3-5 sections of 250 words (max) each, forming a trail through the area
  • Each section is planned to be tagged to a specific point within Redcliffe, i.e. a wall, lamp post, street, door etc.

The deadline for submissions is Monday 20th April 2015, so there’s plenty of time to get writing.


Please look at the website for the full brief before getting the pens out!

For any queries tweet us @DoaSLiveFiction and be sure to follow to stay up to date!

Happy writing and good luck!

Bristol Story Trail Needs Writers!

Calling all doodlers, ponderers, writers, poets and dreamers!

Get ready for the Bristol Story Trail (starting 15th Feb 2015) brought to you by Dream of a Shadow, an online project bridging the gap between reality and fantasy through storytelling.

Dream of a Shadow is collaborating with published authors and budding writers in Bristol to map the city through the magic of storytelling in an event running alongside Bristol Storyfest 2015.

The more creative minds, the better. So we are currently looking for short story submissions from you – these can be as little as 50 words, or up to 1000 and should be based in Bristol (loosely in the area around Spike Island).

So take a moment and get involved in writing the city!

All stories submitted will be included in the Bristol Story Trail alongside several other writers as well as in exhibitions later in the year, with any contributors fully credited and promoted. For more information, or to email your submissions contact livingfictionbristol@gmail.com

Don’t have time to contribute? No worries – you can still get involved and discover the city of Bristol through some wonderful short works of fiction! Follow us on Twitter to find out how, and spread the word… @DoaSLiveFiction #BristolStoryTrail #WritingTheCity and keep an eye out for new stories on the Bristol Story Trail website

 

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WORDS AND WOMEN’S COMPETITION WINNERS ANNOUNCED!

Lora Stimson, who studied creative writing at Norwich School of Art & Design and the UEA is the winner of this year’s Words and Women’s contemporary writing prize in the East of England.

The quality of the 170 entries was very high and there was a broad range of theme and style with women of all ages submitting prose from across the East.  Lora Stimson wins £600 for her original and quietly compelling short story, Cornflake Girl, which will feature in the second Words and Women anthology published in March this year. Lora’s story will appear alongside other highly commended selected entries and the four newly commissioned texts for ‘About,’ an Arts Council supported project which explores the relationship between women and place.

Lora has published stories and poems with Nasty Little Press, Unthank Books, Ink, Sweat and Tears and Streetcake Magazine. In 2014 she was mentored by novelist Shelley Harris as part of the WoMentoring scheme. Her first novel, about sex, grief and model villages, currently hides in a drawer. She has higher hopes for her second novel, about twins, which received an Arts Council England grant and is now in its final edit. Lora works as a programme manager for Writers’ Centre Norwich and sings with the bands Moonshine Swing Seven and The Ferries. She lives in Norwich with her husband and son.

Other prizewinners who will be published in the anthology, include Norwich-based Anna Metcalfe for The Professor, Hannah Garrard for Did You Eat Lunch? Melinda Appleby for Footprints on the Tideline, Julianne Pacheco for Kurt Cobain’s Son, Radhika Oberoi for The Reporter, as well as Patricia Mullin for The Siren and Thea Smiley who will appear twice, with her short story Magazines and her performance text, Holding Stones. A further 16 writers will also have their work included in the anthology.  For a full list of our winning writers please see our blog:  www.wordsandwomennorwich.blogspot.co.uk

The competition was judged by novelist Sarah Ridgard.

The launch of Words and Women: Two and performance of extracts from the ‘About’ Commissions’ will take place on Sunday, March 8th, on International Women’s Day at the Forum, in Norwich.

‘It has been another exciting read,’ said Belona Greenwood, co-organiser of Words and Women. ‘We had a hard time selecting our long list before handing the final responsibility for choosing the winners to this year’s judge, novelist Sarah Ridgard.  We have had a number of winning entries with some connection to the Creative Writing MA at the UEA which continues to bring new talent to Norfolk but entries have come in from all over the five counties displaying a great range of women’s voices.’

‘We judged the work anonymously and it was very exciting to find out the names of our winners at the end of this process. We have selected an outstanding mix of work, both fiction and non-fiction, and look forward to seeing it appear in Words and Women’s second anthology which will be published by Norwich based Unthank Books,’ said Lynne Bryan, Words and Women co-organiser.

Last year’s anthology was shortlisted for the national Saboteur Awards 2014. It has been praised as ’a bold and insightful collection containing much vigorous writing…’ Eastern Daily Press and ‘…a refreshing, vibrant collection that redefined the way I see women’s writing.’

Words and Women showcase women writers who live in the East of England, at all stages of their professional careers in an annual celebration of regional creativity on International Women’s Day, and through commissioning opportunities and an annual new writing prize.

See www.wordsandwomennorwich.blogspot.co.uk