The A3 Review & Press announces its new monthly contest themes: Romance, parties, and whatever the word “top” inspires you to create. Anything from spinning tops to top-shelf magazines. Click here to see all the new themes, each with a deadline on the 4th Saturday of the month.
The current issue of The A3 Review has recently been published and is available to order here. Stories, poems and artwork about fairs, fireworks, and fathers, along with flies and zebras, too. Nancy Stohlman answers questions in the issue’s A6 Q&A.
The A3 Press is soon to launch alongside The A3 Review. The press is looking for manuscript submissions for this new chapbook press. Deadline for submissions is the 20th of November. Do you have a series of short stories, or maybe a long story that can be spread out over several pages? Do you have a combination of drawings and short stories? Or even photographs without text that would fit into our The A3 Press’s map-fold format.
The A3 Press will be a place for work that might struggle to find a traditional home, work that’s lyrical and intense, a bit weird, perhaps, hybrid, experimental. For all the details, please click here.
If you’d like to support the new press, you can also pre-order the first 6 titles via the website here.
The A3 Review is launching The A3 Press, a new small press for short stories, poetry and artwork. All our titles will be printed in our signature map-fold format. Click here for all the details and find us at TheA3Press.com.
Think of us as a chapbook press, a place for work that might struggle to find a traditional home, work that’s lyrical and intense, maybe a bit weird, hybrid, experimental. We also welcome work that’s traditionally beautiful. We like work that is urgent, that says something about what it’s like to be alive at this point in history.
Our first six titles will appear in early 2019. We’ll then publish six new titles every six months.
Deadline for manuscript submission is 20th November. Visit our Submittable page, where you can also find details about our regular monthly contests and The A3 Review.
We’re excited to see where this new publishing adventure takes us and look forward to reading and seeing your work. Please do get in touch with any questions you may have.
We’ve been thinking that it could be fun to set up a small press. The A3 Press. Same kind of format as The A3 Review and Writing Maps, a place for writers and artists to publish short work. We’re imagining these beautifully designed chapbooks that fold out. Let us know what you think! If you click here, you’ll be taken to the survey.
We’re almost ready to start compiling Issue 8, The Gold Issue. This month is the last opportunity to be included in our next issue. The theme is brief encounters and the deadline is Saturday, 24th February. Quickies, chance meetings, a brief exchange that changes a life. Click here for all the details and some further suggestions. You can also pre-order a copy of Issue 8 here.
For all our future contest themes, check out our Submittable page.
When Eliot first spies the booth at the end of the pier, he wonders what it is. The canvas is faded, the striped pattern barely visible beneath years of dirt. The wooden boards are stained and bare. It’s the crude, handwritten sign that draws him closer, makes him reach out to pull the curtain aside. Enter the Shadow Booth, it says, and you will never be the same again.
The Shadow Booth, a new journal of weird and eerie fiction edited by Dan Coxon, is available now! Drawing its inspiration from the likes of Thomas Ligotti and Robert Aickman, The Shadow Booth explores that dark, murky hinterland between mainstream horror and literary fiction. Publishing as an ebook and a 208-page mass market paperback, it aims to publish familiar names alongside newcomers to the field, and to include everything from eerie literary ghost stories to finely crafted tales of Lovecraftian horror.
Volume 1 features stories by:
Richard V. Hirst
Timothy J. Jarvis
Copies are available now from the Shadow Booth online store, or the Kindle ebook can be purchased from Amazon.co.uk. There are also subscription offers on the website. Enter the Shadow Booth, and you will never be the same again…
Sit up straight, face the front, and no chewing in class! Yes, all you well-behaved and naughty people, this month’s A3 Review contest is on the theme of Teachers.
Inspired by the Write Through School Writing Map, we’re looking for short fiction, poetry and artwork on tutors, instructors, professors, mentors, personal trainers… any type of teacher. We’ve all had them and many of us are them!
Write about a memorable moment with a memorable teacher. Frustrated teachers, inspirational teachers, nervous newbies or those who’ve seen it all. Create something that delves into the heart of the teacher/student relationship. Explore different setting where teaching takes place: a farmer passing on knowledge to a child; an experienced soldier guiding a raw recruit; a chance meeting in a remote, dusty town that results in a lesson learned.
The only restriction is a word-limit of 150 and images should fit well into an A6 panel. To find out more about what kind of work we like at The A3 Review, check out the latest issue here, and see our submission guidelines here. This month’s deadline is Saturday, the 27th of May. Send us your work. It’s not compulsory, but it is for your own good!
Good luck and keep writing!
Here’s what’s been happening on our blog over the past fortnight. As ever, if you’d like to contribute, drop me a line and I’ll explain how it works: email@example.com
We welcome THREE new publications to our Lit Mags list: Winamop: “our content is international and eclectic”; Short Story Sunday “a new online short story and flash fiction publication launching Nov 2014”, and Brain Of Forgetting: “an online forum for writing and artwork that relates to memory, history and heritage”. Check them out!
Brain of Forgetting got straight in there with a blog post calling for submissions on the theme of stones. And Writing Maps launches its new lit mag, A3, and its September contest. Talking of contests, Structo is celebrating the unveiling of Issue 12 with a Margaret Atwood competition. And it’s last call for submissions of Christmas stories to the Casket Of Fictional Delights.
Jotters United publishes issue 6 and is calling for submissions for its women-only issue. Short Fiction journal wants your short stories. Holdfast is fundraising for its first ever print anthology. The Manchester Review is also calling for submissions for Issue 13.
Words and Women launch 2 great new writing opportunities for women writers in the east of England. The London Magazine’s short story competition is now open, deadline, Oct 31st, and international entries are welcome. Magic Oxygen are running a short story and poetry contest, deadline 30th November. The WriteIdea Prize has unveiled its longlist.
Stand-Up Tragedy is holding its Edinburgh reunion event, Tragic Friends, on Sep 25 in London and is calling for submissions for its new-look blog. The Word Factory is holding its monthly live lit event this Saturday Sep 27th in London, as well as a masterclass and short story reading club. White Rabbit invites you to submit your spooky stories for Are You Sitting Comfortably?’s Halloween party on October 31st in London.
Berko Writers is running a course on The Art Of The Short Story with Adam Marekfrom Oct 7 – Nov 18 in Berkhamstead.. The Tavistock Heritage Festival is runningtwo free workshops on historical fiction in October. Alison Clayburn’s autumn fortnightly Focus On Fiction course at the Brunel Museum starts today, Sep 22.
Last Minutes & Gentle Reminders
Last call for submissions of Christmas stories to the Casket Of Fictional Delights. The Historic House Short Story Comp (26 Sep) wants stories inspired by or set in a historic house.
If you are eager for even more short-story-related news, do follow ShortStops on Twitter where, when we should be writing, we spend (far too) much time passing on news from lit mags, live lit events, short story workshops and festivals! If you’d like to review an event or a publication, drop me a line.
Happy reading, writing, listening and performing!