‘That Killer First Page’ Submitting to Journals and Competitions.

‘That Killer First Page’ Submitting to Journals and Competitions in conjunction with Waterstones Piccadilly, London, November 7th 11am-5pm.  Get your tickets here.

This class has sold out in Bath, Belfast, Brighton, Cork, London and Melbourne.

 

Content

You’ll find out what competition judges and journal editors look for in a short story and how to avoid the rejection pile. You’ll write a short piece and get feedback on that crucial story opening. In a form where every word counts, get tips on staying focused on your story and where to start the action. You’ll also look at submission opportunities; how to find them and where you should be sending your stories.

 

About Paul

Paul McVeigh’s debut novel ‘The Good Son’ is currently shortlisted for The Guardian’s ‘Not the Booker Prize’. His short fiction has been published in journals and anthologies and been commissioned by BBC Radio 4. He has read his work for BBC Radio 5, the International Conference on the Short Story in Vienna, Belfast Book Festival, Wroclaw Short Story Festival and Cork International Short Story Festival the last 2 years.

Paul’s short story blog shares writing opportunities and advice and gets 40,000 hits a month internationally. He’s interviewed short story masters like Kevin Barry, Cate Kennedy and George Saunders. Paul is co-founder of London Short Story Festival and Associate Director at Word Factory, the UK’s leading short story literary salon. He is also been a reader and judge for national and international short story competitions. Completely Novel says that Paul is one of the 8 resources that will help you write a prize-winning short story.

Reviews for his writing:

“Heartbreaking… gripping” The Guardian

“A work of genius” Pulizter Prize-winning short story writer Robert Olen Butler.

“Absolutely loved it. The voice of that story so arresting.” Jackie Kay

“Beautiful and very moving.” Booker shortlisted Alison Moore
“Its such a clever story, gentle, poignant, emotionally straight as a dart.” Vanessa Gebbie
“(one of) Ireland’s most exciting and talented writers.  Incredibly moving; poignant but utterly real, funny and beautifully observant.” BBC Radio 4
“Paul McVeigh’s story stands out. Funny, moving, poignant. Brilliant.” Metro Newspaper

This event was first run in Melbourne for Writers Victoria and sold out in record time. Comments for this class:

“Practical, insightful application of knowledge to writing.”
“Fantastic! Practical, targeted advice like this is wonderful!”
“This was my fav course yet! Informative, entertaining, and engaging. Hard to beat!”

Places are limited to 20.

PaulMcVeigh short story

 

 

That Killer First Page

Paul McVeigh’s coming to Bath on Saturday afternoon, October 17th, to run his popular That Killer First Page workshop. Bath Short Story Award is hosting the three-hour event which will take place in Bath Central Library from 1.45 pm – 4.45 pm.  Cost:  £40.  Only 5 places left. Book  via paypal or card on bathshortstoryaward.co.uk

Paul McVeigh’s short fiction has been published in journals and anthologies and been commissioned by BBC Radio 4. He is co-founder of the London Short Story Festival, Associate Director at the Word Factory and judge for national and international short story competitions. His debut novel, The Good Son is shortlisted for the Guardian Not the Booker Prize.

So why not get ready for the next round of big short story competitions and magazine submission windows and find out what competition judges and journal editors look for in a short story? You’ll get tips on staying focused, where to start the action and how to write with emotional impact. Then you’ll have a go at writing an opening and get brief feedback from Paul. You’ll also look at submission opportunities; how to find them and where you should be sending your short stories.

Bath Short Story Award is also hosting an evening of readings the same day, Saturday October 17th, 7.30pm -10.00 pm at St James Wine Vaults Bath, with Paul and thriller writer Sarah Hilary reading extracts from their novels and short story writer and poet Tania Hershman, who will give us a first look inside the new anthology she co-edited with Pippa Goldschmidt of short stories inspired by Einstein’s Theory of General Relativity, ‘I am because you are’, to be published in September by Freight Books.

Only £3. Numbers limited so book in advance on bathshortstoryaward.co.uk via paypal

Blogging and Social Media for Writers

Blogging and Social Media for Writers

Crescent Arts Centre

2-4 University Street

Belfast BT7 1NH

August 5th. 2pm-6pm

Tickets: here

Paul McVeigh has become of master of social media with over 9,000 followers on Twitter and a blog that gets 40,000 hits a month internationally –  his blog is fast approaching the 1 million visitor mark. During this time his short stories have been published in literary journals, commissioned by anthologies in the USA and by BBC Radio 4. He has also published his first novel ‘The Good Son’ to critical acclaim.

Content

Find out how to build a social media platform from the ground up.

How to use that platform to help you get published, get reviewed, access to high profile authors, and get paid work! 

Get advice on what will work best for your specific needs and how to manage your time effectively.

Paul’s online presence has led to him be invited to set up the hugely successful international London Short Story Festival, become Associate Director of Word Factory the leading short story salon in the UK and being judge of prestigious literary prizes in the UK and Ireland. It has also gotten him invites to teach and read in Australia, Ireland, Switzerland, Mexico and Poland and access to interview authors such as Mary Costello, Kevin Barry and George Saunders.

This class has sold out in Writers Victoria Melbourne, Cork World Book Festival and Waterstones Piccadilly, London.

If you’d like to book for both classes that day (That Killer First Page) please email paulmcveighwriter@live.co.uk for combined package.

That Killer First Page – Submitting to Competitions and Journals

 That Killer First Page – Submitting to Competitions and Journals

Crescent Arts Centre

2-4 University Street

Belfast BT7 1NH

August 5th. 10am-1pm

Tickets: here

PaulMcVeigh short story

This year Paul is judging:

The Penny Dreadful Novella Prize alongside Sara Baume and Colin Barrett. Deadline: Sept 30.

The I is Another Short Story Competiton from Holland Park Press alongside Laura Del-Rivo. Deadline: Aug 31.

The sole judge of the Bare Ficton Short Story Prize. Deadline: Oct 31.

 

Content

You’ll find out what competition judges and journal editors look for in a short story and how to avoid the rejection pile. You’ll write a short piece and get feedback on that crucial story opening. In a form where every word counts, get tips on staying focused on your story and where to start the action. You’ll also look at submission opportunities; how to find them and where you should be sending your stories.

Focus:
How to get the attention of competition judges and editors
Writing fiction with emotional impact
Writing that killer first page
How to edit your story
Where to send your work

Paul McVeigh’s short fiction has been published in journals inc The Stinging Fly and anthologies and been commissioned by BBC Radio 4. He has read his work for BBC Radio 5, at the International Conference on the Short Story in Vienna, Belfast Book Festival and the Cork International Short Story Festival. Upcoming at Wroclaw Short Story Festival, Poland.

Reviews for his writing:
“Absolutely loved it. The voice of that story is so arresting.” Jackie Kay
“Beautiful and very moving.” Booker shortlisted Alison Moore
“Its such a clever story, gentle, poignant, emotionally straight as a dart.” Vanessa Gebbie
“(one of) Ireland’s most exciting and talented writers.  Incredibly moving; poignant but utterly real, funny and beautifully observant.” BBC Radio 4
“Paul McVeigh’s story stands out. Funny, moving, poignant. Brilliant.” Metro Newspaper

Paul’s short story blog shares writing opportunities and advice and gets 40,000 hits a month internationally. He’s interviewed short story masters like Kevin Barry, Cate Kennedy, Laura van den Berg, Elizabeth McCracken and George Saunders. Paul co-founded and has been the Director of London Short Story Festival for the last 2 years and is Associate Director at Word Factory, the UK’s leading short story literary salon. He is a reader and judge for national and international short story competitions.

This event sold out in Melbourne at Writers Victoria, Waterstones Piccadilly, London and Cork World Book Festival.

 Comments on this class:

“Fantastic! Practical, targeted advice like this is wonderful!”
“This was my fav course yet! Informative, entertaining, and engaging. Hard to beat.””I emerged from the sleepy hamlet of my writing infancy last Saturday and was sky-rocketed, hurricaned, tsunamied, autobahned and g-forced out of my head by Paul McVeigh’s “That Killer First Page” Masterclass at Waterstones, Piccadilly. He’s on top of his game, gives instinctive, constructive criticism and in a few short hours, had conveyed the essence of how to make a story compelling and unputdownable from the first few lines. Get on one of his courses if you can.”

Paul’s debut novel ‘The Good Son’ is out with Salt Publishing.

‘A work of genius…’ Pulitzer Prize-winning Robert Olen Butler

‘Outstanding.’ Granta Best Young Novelist Toby Litt

‘I was blown away… A wildly important new talent.’ Laura van den Berg

‘One of those characters you believe in with all your heart.’ Booker shortlisted Alison Moore

‘Establishes McVeigh as an important new Irish voice.’ Lucy Caldwell

Places are limited to 20

FOR CONCESSIONS and for discount for taking both his Crescent Arts Centre classes PLEASE EMAIL: paulmcveigh@writer.co.uk

Word Factory #35 & Masterclass – 25th July – London

wordfactory-logo-300x88
Join the Word Factory for readings, conversation, masterclasses and publication with the most inspiring short fiction writers.

Story in Motion: with Jane Feaver

Jane Feaver is a novelist and short story writer, whose a collection of inter-linked stories, Love Me Tender, was shortlisted for the Edge Hill Short Story Prize. Read more about Jane.

‘…the essence of the story is motion. Do not let your chair be “a straight chair, with no arms and a hard wooden seat.” Let your heroine go over and take a firm hold of the back of a straight wooden chair, because at the moment it is stronger than she.’ Shirley Jackson ‘Notes for a Young Writer’. Jane Feaver, the novelist and short story writer, will explore the use of gesture and motion in the short story with reference to the work of Flannery O’Connor. Raymond Carver and more.

This workshop will study the gesture in the short story and some of the ways we might put ‘moveable articles’ to effective use. Suitable for writers sending work out and published, a chance to write and pay attention to detail.

SOLD OUT

Short Story Club – 4.15-5.15pm
Roald Dahl: The Great Automatic Grammatizator

Join us in July when we will read a dark and twisted (but bitingly funny) short story – The Great Automatic Grammatizator – by the brilliantly playful Roald Dahl. The story, written in 1954 (but still alarmingly relevant) imagines a world where stories are written by machines. This will strike a wry chord with all writers out there…

Email Sophie Haydock for more details and a copy of the story: sophie@thewordfactory.tv

The Word Factory #35 – the intimate short story salon – 6-8pm

Book your tickets here.

Join us for an unmissable evening of storytelling with award-winning children’s author Michael Morpurgo; short story champion Jane Feaver; and one of the UK’s best short story writers Stuart Evers, chaired by Word Factory founder Cathy Galvin.

Word Factory #33 & Masterclass – 30th May – London

wordfactory-logo-300x88
Join the Word Factory for readings, conversation, masterclasses and publication with the most inspiring short fiction writers.

The Only Rule Is Yes with Stella Duffy – 1-4pm – SOLD OUT

Stella Duffy won’t teach you how to write the great British novel, provide you with a step-by-step structure with which to write a bestseller, or spend hours reading aloud the works of others so that you can compare your own writing (unfavourably). She will help you acknowledge your writing fears and enthusiasms, find delight in being brave, take the big steps you’ve been dreading and the small steps that feel even harder, and help you remind yourself why you wanted to write in the first place.

Editor’s note: Unfortunately Stella Duffy’s writing workshop is now sold out, however there is time to book your places for Michèle Roberts and David Almond‘s masterclasses at the Tablet festival in Birmingham on 19th June or experience Word Factory at the London Short Story Festival on 21st, June. Take note to be online at 9am on 15th May when we will make tickets available for Neil Gaiman‘s masterclass Q&A with Cathy Galvin taking place on 27th June.

More information and booking here.

Short Story Club – 4.15-5.15pm
Tessa Hadley: One Saturday Morning

Tessa Hadley is a British writer whose short stories appear regularly in the New Yorker. She has published many novels and two short story collections, and she read at the Word Factory salon in February 2015. Her stories have been described as ‘novels in miniature’ and also as ‘domestic fiction’, conjuring as they often do the minutiae of comfortable lives, where subtle shifts and minor observations can take on huge significance. Her stories may tread comfortable territory, but they leave a long-lasting impression of disquiet with the reader.

In ‘One Saturday Morning’, published in The New Yorker in August 2014, ten-year-old Carrie’s piano practice is interrupted by the arrival of Dom, one of her parents’ bohemian friends. We follow her as she tries to make sense of the adult news and events that define the rest of the day. Is this a story in which nothing really happens, or does it illuminate a pivotal coming-of-age moment? Come and discuss this subtle, affecting story with us.

Email Sophie Haydock for more details and a copy of the story: sophie@thewordfactory.tv

The Word Factory #33 – the intimate short story salon – 6-8pm

Book your tickets here.

An unmissable evening of Irish lyricism and fire. Join acclaimed new Irish talent Danielle McLaughlin, recently published in the New Yorker; Belfast-born Word Factory associate director Paul McVeigh; author and power-house Stella Duffy (Ireland via New Zealand) and Dubliner Evelyn Conlon for new work and conversation focused on the enduring strength of the Irish short story. Blarney-free discussion guaranteed, chaired by Cathy Galvin (Ireland via Coventry) .

Word Factory #32 & Masterclass – 25th April – London

wordfactory-logo-300x88
Join the Word Factory for readings, conversation, masterclasses and publication with the most inspiring short fiction writers.

Performance, confidence and voice with A.L. Kennedy – SOLD OUT

Booking for our masterclasses are now available online through to June. Word Factory regulars have already booked their tickets for A.L Kennedy’s April class – but don’t miss the chance to work with Stella Duffy at her workshop in May where the only rule is yes. Our masterclasses are also travelling to Birmingham in June with Michele Roberts and David Almond. Click the links above to book your place.

In June Neil Gaiman will also be giving an exclusive class and reading: details on our website soon.

Short Story Club – 4.30-5.30pm
Italo Calvino: All at One Point

Calvino’s The Complete Cosmicomics is a collection of stories, all narrated by the character Qfwfq, each of which takes a scientific fact as a starting point for a fantastical narrative.The first translated edition (from Italian) won the National Book Award in America, and it is one of Calvino’s best known works alongside If on a Winter’s Night A Traveller and Invisible Cities.

In ‘All at One Point’, Calvino takes the notion of the universe’s matter all being concentrated at one point before it began to expand, and imagines Qfwfq and other characters dealing with this situation. It combines a scientific flight of fancy with a familiar-feeling tale of neighbourly tensions, as at the inhabitants of the point clash over gossip, opinions and shared attractions. This is a story which does not fit contemporary expectations. Do you find it satisfying, silly, or wondrously clever? Come and discuss ‘All at One Point’ at the Word Factory Short Story Club in April.

Email Sophie Haydock for more details and a copy of the story: sophie@thewordfactory.tv

The Word Factory #32 – the intimate short story salon – 6.30-8.30pm

Book your tickets here.

Celebrate spring with award-winning authors and fresh talent at The Word Factory. A.L. Kennedy leads our perfomance skills masterclass before joining international star Yiyun Li, our mentor Adam Marek and apprentice Kerstin Twachtmann for readings at the evening salon. The conversation will continue with Director Cathy Galvin, co-founder of the Sunday Times EFG Short Story Award.