Fictive Dream Call for Submissions

Fictive Dream is open to submissions and, as always, we’re interested in short stories with a contemporary feel (500 – 2,500 words). We especially like stories that give an insight into the human condition; stories that focus on those moments that change people’s lives. They may be on any subject. They may be challenging, dramatic, playful, exhilarating or cryptic. Above all, they must be well-crafted and compelling.

Check out the Fictive Dream website here.

See our submission guidelines here.

We’re looking forward to receiving your best work!

Laura Black
Editor

Website www.fictivedream.com
Twitter @fictivedream
Instagram fictive.dream

Submit to 2020 Shooter Short Story Competition

Shooter Literary Magazine’s 2020 Short Story Competition is now open to stories of any style, subject or genre, up to a max of 5,000 words. The contest spotlights the best emerging literary talent, with £500 in cash prizes and publication both in the magazine and online.

Shooter seeks imaginative, absorbing and beautifully written work that brings characters to life and elicits an emotional response from the reader. In short, we want well written tales that appeal to both the head and the heart.

In return for the £7 entry fee (or £10 for two), all entrants receive an e-copy of Shooter’s winter 2021 issue, which will feature the winning story.

  • The winner of the 2020 Shooter Short Story Competition will receive £400, publication in the winter issue and on the website, and promotion on Shooter’s social media.
  • The runner-up will receive £100, publication on Shooter’s website, and promotion on social media.
  • All entrants will receive an e-copy of Shooter’s winter issue.
  • Stories may be any theme or genre, up to a max of 5,000 words.
  • The competition is open to entries through May 31st, 2020.
  • Winners will be announced in July 2020
  • All proceeds from entry fees go toward prizes, contributor payments and Shooter’s production costs, supporting our mission to promote the best new writing and encourage the principle of paying writers for their work.

To enter, please email your story (as a Word or PDF file) to competition.shooterlitmag@gmail.com by the deadline of May 31st, 2020. Include your name, title of story and word count in the body of the email, with no identifying information on the story itself. Multiple entries are accepted. Payment can be made via Shooter’s website at https://shooterlitmag.com/competition.

Other information can be found at https://shooterlitmag.com. We look forward to reading your work – good luck!

The A3 Review’s New Contest Themes

issue_11_cover_grandeThe A3 Review has recently launched Issue 11. We’ve also just posted new themes for our monthly contests. Publication and cash prizes for winners. To enter and for more details, please visit our Submittable page by clicking here. The next few themes will be included in our “T” issue, so we’re looking for short stories (as well as poems and artwork) about : Tablets, Transformations, and Thanatos.

The two winning entries from September 2019 to February 2020 will make up the list of contributors to Issue 12 (The “T” Issue). From this list, three overall winners will receive cash prizes: 1st = £250, 2nd = £150, 3rd = £75. Issue 12 will appear in April 2020.

The word limit is 150 words, so we’d particularly like to see flash fiction and mini essays. Our $5 (approx £3.50) submission fee helps us cover admin and printing costs and makes sure we can keep offering cash prizes.

Visit The A3 Review’s website to see some back issues. The A3 Press also publishes chapbooks and is open for submissions until December the 10th.

Submissions open for Shooter #11: Supernatural

Shooter Literary Magazine has reopened to submissions for its upcoming winter issue, themed Supernatural, as well as the 2019 Poetry Competition.

Submissions for Issue #11 should revolve around anything to do with the occult. Psychological spookiness, eerie suspense, weird mysteries and unexplained phenomena are welcome elements, as well as the more obvious demons, angels, witches and ghosts. Religious themes are also relevant. Writing must be of a literary standard, not genre fare trading on shocks or gore. The deadline is November 17th. Please visit Shooter’s Submissions page for further guidelines.

The 2019 Poetry Competition is also open to entries, with no restriction on theme or style. Poems can be up to 100 lines long and multiple entries are allowed. The winning poet will receive £150 and publication both in the winter issue of Shooter and online, while the runner-up wins £50 and online publication. All entrants receive an e-copy of the winter magazine, featuring the winning poem. For guidelines on how to enter, please visit Shooter’s Competition page.

Writers who are familiar with the type of work that we publish are often more successful; past and current issues of Shooter are available to order via the Subscriptions page. We look forward to reading your work – good luck!

The Shadow Booth: Vol. 4 open for pre-orders!

We’re thrilled to announce that The Shadow Booth: Vol. 4 will be published on 24 October 2019! There’s a suitably folk-horror vibe to this one, with new stories by Lucie McKnight Hardy (author of Water Shall Refuse Them), Charles Wilkinson, Jane Roberts, Gary Budden, Ashley Stokes and many more (full lineup below). Once again, we’ll be publishing as an ebook and a mass-market paperback, which should match your copies of Vols. 1, 2 & 3 perfectly on the shelf.

Pre-orders are open now through our online store. If you’ve enjoyed Vols. 1-3 (or are just a fan of strange, uncanny short stories), please take a moment to pre-order your copy.

We’ve also dropped the price of Vols. 1 & 2 through until October, so if you’ve fallen behind now is the perfect time to catch up! Vols. 1 & 2 are only £6.99 in paperback until 24 October, and all three volumes to date are only £2.99 as ebooks. It’s the perfect time to catch up on all those stories you missed, from the likes of Alison Moore, Kirsty Logan, Mark Morris, Aliya Whiteley, Robert Shearman, Chikodili Emelumadu, Richard V. Hirst and many, many others.

But we haven’t told you the most exciting part! The Table of Contents reads as follows:

  • The Devil of Timanfaya by Lucie McKnight Hardy
  • The Tribute by James Machin 
  • The Larpins by Charles Wilkinson 
  • Drowning by Giselle Leeb 
  • You Are Not in Kettering Now by Andrew McDonnell 
  • Hardrada by Ashley Stokes 
  • Defensive Wounds by James Everington 
  • The Verandah by Jay Caselberg 
  • The Salt Marsh Lambs by Jane Roberts
  • The Box of Knowledge by Tim Cooke 
  • His Hand by Polis Loizou 
  • Terminal Teatime by Anna Vaught
  • Collector of Games by Gary Budden 
  • One Two Three by Marian Womack

Hopefully you’re just as excited as we are. We think this might be the best volume yet. Don’t miss out.

Please show your support by pre-ordering your copy of The Shadow Booth: Vol. 4 here. 

(Ebook pre-order here.)

Issue 13 available + call for submissions

Issue 13 of The Nottingham Review is now available to read online here!

Featuring original short fiction by Jason Jackson, Chelsea Stickle, Richard Berry, Spencer Litman, Sudha Balagopal, Jim Toal, Gerard McKeown, Emily Zido, Alicia Sometimes and Emma Venables.

Call for submissions

We are also now open for submissions of fiction between 100 and 3000 words (no theme) until the end of June. Submission guidelines can be found here.

Submit to All Those Things Left Unsaid magazine

Sumissions

The All Those Things Left Unsaid project is currently open for submissions of letters, poems, stories, or other creative forms, on the topic of ‘Things left unsaid’. This could be secrets never before told, conversations you wish you had had, or anything else that fits the topic.

All submissions should be previously unpublished.

Prose pieces should be no longer than 1,000 words as an absolute maximum, preferably shorter.

Send one .doc or .docx attachment to hello@allthosethingsleftunsaid.com with the word ‘Submission’ in the email header.

Please explain briefly how the piece fits the brief of ‘Things left unsaid’. Authors will remain anonymous or be given a pseudonym, unless they explicitly request to be named, and only then if is legally safe to do so.

Anything published on the site – copyright remains with the author.