The John O’Connor Writing School Short Story Competition 2018

 

“The world of John O’Connor is a world of the freshly snedded turnip, the new-sawn plank, the sod shining under the plough. His gift is to render the life of the Mill Row in Armagh as deftly and definitively as Steinbeck renders Cannery Row or Bob Dylan Desolate Row”

Paul Muldoon

The John O’Connor Writiing School and Literary Arts Festival, sponsored and supported by internationally renowned Pulitzer Prize-winning poet, Paul Muldoon, has a two-fold purpose. It aims to to celebrate and commemorate the life and works of John O’Connor as well as offering practical guidance and assistance to aspiring writers through its workshops and master classes in the various literary genres and writing for commercial purposes.

Entries are currently invited from aspiring writers for the third John O’Connor Short Story Competition. It is being held to commemorate the Armagh born writer whose impressive literary legacy includes a collection of short stories which still retain a timeless appeal.

Prize

The prize winner will be awarded a full bursary to attend the John O’ Connor Writing School and Literary Arts Festival which will be held in Armagh from 1st to 4th November, 2018, plus a cash prize of £250. The bursary prize allows the recipient to enjoy all events in the John O’Connor Writing School and Literary Festival 2018, and to attend one class in the writing genre of his/her choice. The winner will be notified by 2 October.

The winning entrant will be formally announced at the opening of the Writing school on Friday 2nd November, and will have the opportunity to read at an event on Sunday 4th November 2018. Single room accommodation will be available free of charge to the winning entrant.

Ts & Cs

The competition is open to those 16 years and over. Short stories must be the original work of the author and not previously published or have received awards in other competitions. Entries must be in English and between 1,800 and 2,000 words in length. There is an entry fee of £10. One entry per person. Submit your entry online by 12.00 noon on 28 August 2018.

Find full terms and conditions, and online entry form on http://thejohnoconnorwritingschool.com

A word from previous winners:

“I won the inaugural John O’Connor Short Story Competition in 2016, the news delivered to me via a lovely phone call from Cathy McCullough, a personal touch which is one of the things that makes the weekend so special. I had started writing in 2014, and the win gave me a sense of validation that is so nourishing and necessary for a new writer. That year I attended Bernie McGill’s brilliant prose workshops, which generated an idea for a novel, and Stewart Neville’s masterclass. Last year Martina Devlin facilitated the prose workshops, and again I went away full of ideas for new work. The win also gave me opportunities to read my own work in public, a prospect I once found appalling which I now actually enjoy. My stories have won other prizes, but the John O’Connor win is the one that keeps on giving. “

Louise Kennedy, 2016 winner

“Thanks to the JOCWS I have made contact with an agent who is willing to read it [her novel] when it is ready… I hope all goes as well this year as last and I will certainly be coming along to the writing workshops again. I found them really useful. “

Roisin Maguire, 2017 winner

Crossways #2 Online Now!

van gogh

Crossways #2  is now online! Enjoy poetry and short fiction from both emerging and established authors. Crossways publishes a broad selection of work from around the world but we have a particular interest in writing with an Irish connection.

Come visit the site and you are bound to find something you’ll like.

Yes, take a stroll down to the crossways and see who you might meet! It’s fabulous and it’s free! We look forward to seeing you there.

 

Writing Competition: Short Story, Flash Fiction, Poetry

Just over a week to go now for this great competition for a great cause. So get finalising those poems, flash fictions and short stories. Closing date is next Friday 20th July at 17.00hrs.

Just over 3 weeks to go on this one so get the biros, pencils and laptops working. Closes 5 pm on 20th July

Writing Competition in aid of the Michael Mullan Cancer Fund.

Michael Mullan (26) is battling cancer for third time and needs funds to continue availing of life saving treatment in Boston that is not available in Ireland.

How to Enter

  • Email your short story, flash fiction or poetry entry to: mmcancerfundwritingcompetition@gmail.com.
  • Pay: PayPal.Me/mmcancerfund or by clicking here. Donations in excess of the stipulated entry fee would be most welcome for this deserving cause.

  • Competition is open in Ireland and internationally.

  • Longlist of top 20 authors will be published on www.michaelmullancancerfund.com in mid-August 2018.

  • Shortlist of top 6 authors will be published in early September.

  • Winners will be announced and prizes will be awarded at Kildare Readers Festival on 3rd October 2018.

  • Please read the Terms & Conditions before entering: Terms & Conditions

Number Eleven Issue Nine

It may have taken me a while but Number Eleven is back!! Issue Nine of Number Eleven is live, ready and waiting for you. Featuring the work of 10 authors from around the world, I invite you to pull up your favourite chair, turn on your reading light and slip into the wonderful worlds created for you by our carefully selected authors.

As a little aside, we are currently preparing Issue Ten and we would love to read YOUR work!! If you have a piece of short or flash fiction burning a hole in your digital pocket then please do send it our way, we’d love to step into your world and get lost, quite possibly! You can submit to numbereleveneditor@gmail.com, we look forward to hearing from you!

Until next time, close your eyes and hope for the best!

Graham

Tales From The Forest: Issue #5

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Tales From The Forest are happy to announce the theme of our next issue will be “Those Things We’re Not.” Deadline April 2nd.
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New Year has just gone flying past, and it’s maybe time to review those resolutions of ours. What’s realistic? What’s unheard of? What are we? What are we not? More importantly, Donald Trump has just become president of America, and that’s the world we live in now. It may be time for a reminder on What We Are Not, and What We Will Not Be Told, and What We Will Not Tell People. We’re hoping this will be a positive issue, or at least an enlightening one.
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That sounded a little lofty. You can also submit cartoons and limericks if you like.

February Round-Up I

Greetings, short story lovers!
Here’s what’s been on a packed ShortStops blog over the past few weeks…

Tania x

Live Lit

The Word Factory #30 is in London on Feb 14th, with live lit, a short story reading group and masterclass. White Rabbit want your short stories for their Curioser and Curioser storytelling tea party on Feb 20th in London. Stand-Up Tragedy’s next event, Tragic Winter, is in London on Feb 28th and they are calling for submissionsfor the SUT blog.

Lit Mags

February is ‘Otherworldly Originals Month’ over at Short Story Sunday! Jotters United’s Isssue 10 is now out and they’re calling for submissions. Bunbury Magazine has unveiled Issue Seven: The Unexplained. Shooter Literary Magazine is  calling for submissions for Issue #2, on the theme of ‘Union.’ On the theme of themes, Brain of Forgetting’s first issue, Stones, is now available, and submissions for Issue 2 open shortly. Neon Magazine has opened submissions for Battery Pack II, its second anthology of tiny stories.  Other mags still want your stories too: The Manchester Review has is calling for your submissions.

Anthologies
Freight Books wants short story submissons for an anthology inspired by Einstein’s Theory of General Relativity.

Competitions & Festivals
Mslexia’s 2015 short story competition is now open for entries (women only), deadline March 16th. The Short FICTION short story prize is open for entries, deadline March 31st, as are the Felixtstowe Book Festival’s 2015 short story competition, deadline May 16th and The Moth’s International Short Story Prize, deadline June 30th. Words and Women have announced the winners of their writing competition.

Workshops and Courses
Berko Writers is holding a night to talk about sex and writing, Turn Me On, in Berkhamstead, Feb 10th. Alison Clayborn is running a Flash Fiction workshop  on Feb 18th at the Brunel Museum in London.

And Ireland has a new national residential writing centre – The Story House in County Waterford, which is running a short story course from Mar 23-28th.

Writing Advice
Bruce Harris introduces us to Writing Short Fiction, ‘a site for sore eyes’.

If you are eager for even more short-story-related news, do follow ShortStops on Twitter where, when we should be writing, we spend (far too) much time passing on news from lit mags, live lit events, short story workshops and festivals! If you’d like to review an event or a publication, drop me a line.

Happy reading, writing, listening and performing!
Tania x

New National 5 Day Residential Writing Centre Co. Waterford

The Story House Ireland is a not-for-profit residential writing centre inspired by The Arvon Foundation. Set in tranquil woodlands near Colligan, Dungarvan, The Story House will run its first 5 day writing course (on Short Fiction), from Mon. 23rd to Sat. 28th March 2015. The course will be led by experienced and award-winning writers and tutors Julian Gough and Susie Maguire. Their mid-week guest writer will be Donal Ryan (The Spinning Heart, The Thing About December), winner of The Guardian First Book Award.

The Story House aims to provide real support for developing writers of all ages and backgrounds, complementing the work of existing writing centres. As it grows it will provide a focus for the development in Ireland of a community of writers, teaching opportunities for professional writers, and also work to “ensure anyone can benefit from the transformative power of writing”.

This inaugural course is being offered for the special fee of €595 which includes: 5 nights accommodation; full board; all workshops; one-to-one sessions with each writer to discuss your work; time and space to write; reading & discussion with guest writer. Please note that bookings are on a first come, first served basis with the full fee required by no later than Mon. 9th February 2015. There are only a small number of places remaining for this course. You might like to check with your local Arts Office as to what supports they may offer to help you attend a course at The Story House. We wish to sincerely thank the Arts offices of Waterford City and County Council, Kilkenny County Council and Tipperary County Council for offering bursaries for this course to date.

Co-founders of The Story House, Margaret O’Brien and Nollaig Brennan, intend that The Story House will be a home for writers and writing and will also welcome many new faces to the arts scene in the south-east and to the beauty of the Waterford coast and countryside.

The Story House Website

email: thestoryhouseireland@gmail.com

Twitter: @TSHIreland

The Moth International Short Story Prize 2015

Short Story Prize logo

We’re delighted to announce 2015’s Moth Short Story Prize, judged by Donal Ryan, with prizes of €3,000, a week-long writing retreat at Circle of Misse in France (including €250 travel expenses) and €1,000.

The prize is open to anyone, as long as the work is their own and previously unpublished. Word limit 6,000.

The closing date is 30 June 2015.

The winning stories will appear in the autumn issue of The Moth.

See http://www.themothmagazine.com for more details

Fires, Fliers, Elections…oh my…. it’s summer at Long Story, Short Journal

More long story love, free to read online at  Long Story, Short Journal.


Photo copyright Zoe J. MurdochShe wakes up the way she always does, quickly and slowly. Her pulse, quick quick slow, quick quick slow. Quick, the adrenalin that flashes in her and it feels like she’s ready to run, to fly, the fooled, frail, exhausted body. Slow, being the fog. The numb-skulling pea-souper that doesn’t lift till two in the afternoon. All because of the goddamn pills; the pills she took first for performance anxiety, then when Frank died, and now she is enslaved to their little white wiles.

‘Fliers’ by UK writer Nichola Bendall, with artwork by Zoë J. Murdoch. The story brings us intertwining narratives of three individuals struggling against lives of confinement, when flight is what they desire. Against the backdrop of political elections, ‘Fliers’ employs a subtle use of satire, encouraging readers to consider the consequences of both action and inaction. https://longstoryshort.squarespace.com/fliers


Kristen JohansenSmoke inhalation, electrocution by live lines, roof collapse. Burning. Any of those deaths might have seemed more normal, or at least appropriately courageous. If he’d rushed straight into hell with a pike pole and a booster line, no one would have batted an eye. But Gus died in bed. And that didn’t sit well with some people.

American writer Jason Kapcala is the author of ‘Lake House’, which explores the question of how a person constructs their own legacy. Readers are immersed in the crucible of risk and relationships, questioning exactly how much ‘fire’ one can cope with while maintaining human connections. Photo provided by Kristen Johansen. https://longstoryshort.squarespace.com/lake-house/

Colin Barrett wins the 2014 Frank O’Connor Award

Young Skins Front Cover - web FRANK O’CONNOR INTERNATIONAL SHORT STORY AWARD WINNER 2014


World’s Most Valuable Short Story Collection Prize Celebrates Its 10th Year

 

 

 

 

The Munster Literature Centre is pleased to announce that, in its tenth year, the winner of the Frank O’Connor International Short Story Award is Irish author Colin Barrett for his debut collection Young Skins. The €25,000 award is the single most lucrative in the world for a collection of short stories and is named after the writer whom W.B. Yeats described as the Irish Chekhov. The award has been hugely influential in raising the profile and esteem of the short story form in recent years. Previous winners have included Haruki Murakami, Edna O’Brien, Ron Rash and Yiyun Li amongst others.

The award is co-sponsored by Cork City Council and also by The School of English, University College Cork and was founded to encourage publishers to issue more collections of stories by individual authors – and to acknowledge Cork’s special relationship with the short story: not only Frank O’Connor but also William Trevor, Elizabeth Bowen and Sean O’Faolain hail from Cork.

The international jury for the award consisted of Irish poet Mathew Sweeney, Anglo-Canadian novelist Alison MacLeod and American novelist Manuel Gonzales. Patrick Cotter, Artistic Director of the Munster Literature Centre selects the jury and acts as non-voting chairman.

Explaining the judges’ decision MacLeod said of Barrett’s début ‘How dare a debut writer be this good? Young Skins has all the hallmarks of an instant classic. Barrett’s prose is exquisite but never rarefied. His characters — the damaged, the tender-hearted and the reckless — are driven by utterly human experiences of longing. His stories are a thump to the heart, a mainline surge to the core. His vision is sharp, his wit is sly, and the stories in this collection come alive with that ineffable thing – soul.’

The book was first published in Ireland by the Stinging Fly Press in 2013, and has been published in the UK this year by Jonathan Cape – it is set to be published in the United States by Grove Atlantic in spring of 2015. The book will be published in translation in the Netherlands by De Bezige Bij, in November 2014 and in France, Editions Rivages in 2015.

Patrick Cotter, Award Director said: “I’m grateful we can continue to offer this lucrative award in difficult economic times. Huge kudos to Cork City Council and UCC for supporting this unique award into its tenth year. As a life-long lover of the short story form I’m delighted the award is going to a brilliant book, but as an Irishman I can take special pride that a book by a new, young, genius Irish writer can hold its own against the best in the world and win the award in this milestone year.”

 

Colin Barrett

Colin Barrett grew up in Mayo and studied English at UCD. After graduating he worked for several years with a mobile phone provider in its Dublin headquarters, continuing to write in his spare time. Ultimately, he left his job to do an MA in Creative Writing at University College Dublin. In 2009 he was awarded the Penguin Ireland Prize and he received bursaries from the Arts Council in 2011 and 2013. Young Skins is Colin’s first book. His stories have previously featured in The Stinging Fly magazine, as well as in the anthologies, Sharp Sticks, Driven Nails (Stinging Fly Press, 2010) and Town and Country (Faber and Faber, 2013).

He is thrilled and surprised to learn he won the award “Consider me knocked splendidly sideways by the news. It’s a bewilderment and honour to be awarded the 2014 Frank O’Connor prize. The shortlist was superb, and the role call of previous winners – including living legends like Edna O’Brien and Haruki Murakami – is humbling. Many thanks to those who helped me along the way, especially the Stinging Fly Press, who first published Young Skins and were instrumental in its creation, and a deep thanks to the judges, the organizers, and to the Munster Literature Centre for continuing to care about the short story” 

The award will be presented to Barrett in September at the closing of the Cork International Short Story Festival which is the world’s oldest annual short story festival.

 

Don’t Do It Issue Four: Translations

 Issue Four

Issue Four of Don’t Do It  is now live.

Purpose

This time, we turn to translation — literal and metaphorical — to explore language, interdisciplinarity, technology, poetry, inter-personal translations and the craft of fiction.

Ingredients

The issue includes essays on Knausgård, Beckett, chess and the practicalities of translation, new short stories and poetry, and two interviews, with Chilean composer Nicolás Kliwadenko and an editor and poet from the new A Bird is Not A Stone collection.

Effects

An increased interest in Russian literature; gentle yearning; excess knowledge of chess; a desire to learn Scots; a desire for new music; a questioning of love, words, meaning and beauty.

 Enjoy!

— The Editors

 

Davy Byrnes Short Story Award 2014

The Stinging Fly are delighted to announce the return of the Davy Byrnes Short Story Award — Ireland’s biggest short story competition.

Prize fund: €15,000 for the best short story, plus five runner-up prizes of €1,000

Competition Judges: Anne Enright, Yiyun Li and Jon McGregor

—The competition is open to Irish citizens and to writers who are resident or were born in the thirty-two counties.

—Entries must consist of a previously unpublished short story written in English. The maximum word count is 15,000 words, no minimum. Only one story per entrant.

—We will be accepting entries from December 1st 2013. No online entries. Entries must be posted/delivered to Davy Byrnes Short Story Award, c/o Dublin UNESCO City of Literature, Dublin City Libraries, 138-144 Pearse Street, Dublin 2, Ireland.

—The deadline for receipt of entries is Monday, Feb 3rd 2014. There is a €10 entry fee, payable online or by cheque/postal order.

—The six short-listed writers will be announced in late May/early June 2014 and the overall winner announced in June 2014.

The competition is sponsored by Davy Byrnes and organised by The Stinging Fly in association with Dublin UNESCO City of Literature

For further information about the award — and to enter your story! — please visit our website.

What the judges say:

The Davy Byrnes Award is given to a story that has the writer’s name removed, the judges of the prize have been more international than local and the prize money is substantial. These three things meant the world to me when I won in 2004, a time when I felt washed up on the shores of the Irish boom. The short story yields truth more easily than any other form, and these truths abide in changing times. As a writer turned judge, I am looking for a story that could not have been written any other way; that is as good as it wants to be; that is the just the right size for itself.

—Anne Enright

I am a staunch advocate for short stories, and respect any organisation/effort that supports stories and story writers. I am thrilled to be serving as a judge for the Davy Byrnes Award. As for what I look for in a short story, to borrow from Tolstoy: ‘Happy families are all alike; every unhappy family is unhappy in its own way.’ There are stories written like happy families, which one reads and forgets the moment one puts them down. But the stories that belong to the category of unhappy families, they can do all kinds of things: they touch a reader, or leave a wound that never heals; they challenge a reader’s view, or even infuriate a reader; they lead to a desire in the reader’s heart to be more eloquent in his ways of responding to the story yet leave the reader more speechless than before. A good story is like someone one does not want to miss in life.

—Yiyun Li

I’m both thrilled and slightly daunted to be taking part in judging the Davy Byrnes Award this year. Thrilled, because it’s a prize with an astounding track record of unearthing great talent and excellent stories; the previous judges have clearly had a very sharp reading eye. Daunted, for pretty much the same reasons. There’s a lot to live up to.

What I look for in a short story is a kind of intensity of purpose and a clarity of expression; something which holds my attention and rings clearly in my reading mind. For me, this is mostly something in the voice on the page; something in the control of the syntax, which immediately puts me in the world of that story. If it’s there, it usually kicks in within the first few lines; after that, it’s just a matter of seeing whether the writer can really keep it up.

—Jon McGregor