Linenhall Library, Belfast. May 13 & 14, 2019. 10am–5pm, both days.
Claire Keegan will direct this fiction writing course using works by John McGahern to explore and demonstrate the mechanics of writing and narrative structure.
1. The Leavetaking
4. “The Conversion of William Kirkwood”
How do stories begin? How and why does an author make an incision in time and build tension? How is a reader drawn into a narrative? Why is a reader sometimes not drawn in at all? Keegan will discuss the structure of a narrative and go into what she calls the much-neglected middle, the trunk of the story. Are endings natural? Why do stories need to end, to find a place of rest? The discussion around endings will focus on falling action, emotional consequences and inevitability. Participants will also examine the differences between the short story and the novel. This course will be of particular interest to those who write, teach, read or edit fiction — but anyone with an interest in how fiction or reading works is welcome to attend. To book your place, contact firstname.lastname@example.org Tuition is £300. A 50% deposit secures.
Claire Keegan’s story collections include Antarctica, Walk the Blue Fields and Foster (Faber & Faber). These stories, translated into 17 languages, have won numerous awards. Her debut, Antarctica, was a Los Angeles Times Book of the Year. “These stories are among the finest stories recently written in English,” wrote the Observer. Walk the Blue Fields, her second collection, was Richard Ford’s Book of the Year in 2010, and won the Edge Hill Prize, awarded to the strongest collection published in the British Isles. Foster won the Davy Byrne’s Award, then the world’s richest prize for a single story. New Yorker readers chose Foster as their story of the year. It was also published in Best American Stories is now on the school syllabus in Ireland. Keegan has earned an international reputation as a teacher of fiction, having taught workshops on four continents.
Short story course held on 13 and 14 April at The River Mill’s Retreat, Co. Down. 10am to 5pm, both days.
This weekend course will explore the short story using works from the anthology You’ve Got to Read This (ed. by Ron Hansen and Jim Shepard). Participants will be asked to consider:
How fiction works — and why it sometimes doesn’t
Where and when stories begin and how and if this differs from the novel
The differences between a short story and the novel / a chapter
Beginnings, Middles, Endings: Narrative Structure
To book, contact email@example.com. Tuition is £300. Lunch and tea are provided for all. There are only two places left. Visit CKFictionClinic for full details.
Claire Keegan has written Antarctica, Walk the Blue Fields and Foster (Faber & Faber). These stories, translated into 17 languages, have won numerous awards, and have been published in The New Yorker, Best American Stories, The Paris Review. Keegan has earned an international reputation as a teacher of fiction, having taught workshops on four continents.
SEVEN IDEAS IN SEVEN DAYS – 1 WEEK ONLINE WRITING COURSE – STARTS 5th JUNE (£20)
Learn how to see, hear and think like a writer with Writers’ HQ’s 5-star online creative writing course, Seven Ideas in Seven Days. Designed to fit around every day life and a busy schedule wherever you are in the world, we’ll give you techniques and exercises for generating ideas and turning them into usable outlines for brilliant stories.
If you’ve ever sat down with good intentions to write a short story but find your brain (and the page) utterly blank, then this is the writing course for you. Ideas are the bedrock of story writing. Sometimes they come thick and fast, and sometimes they seem to languish in the dank cellar of your subconscious and refuse to come out to play. Seven Ideas in Seven Days will help you to turn into an idea-generating machine using inspiring exercises, forum discussions, writing prompts, feedback and support.
Over the course of the week, we’ll teach your brain to germinate those idea-seeds. (Seedy ideas? Something like that.) We’ll give you techniques to spot ideas in both the fantastic and the mundane, exercises to encourage them to grow and bloom, ways to record them for when you need them, and generally help you get into the habit of THINKING.
By the end you will have: seven ideas that can be grown into fully fledged stories, or inserted into existing stories to make them even better. Book your place HERE!
WHAT YOU GET
- Seven ideas that you can use, grow, nurture, or throw on the floor in frustration (then pick up again and hope no one saw)
- Daily inspiration, whip-cracking, writing exercises and prompts
- Top tips from tip-top authors
- A private student forum to discuss ideas, techniques and get advice from your tutors and fellow writers
- Dedicated support by email from your fantastic tutors
- Feedback and writerly conversation from the LOVELY social media community of Writers HQers
STARTS MONDAY 5th JUNE (and costs just £20!) – BOOK YOUR PLACE NOW!
Still not convinced? Check out just a few of the 5-star reviews from previous students:
“More ideas than you can shake an inspiration stick at! Fab exercises for toning up your idea muscles. A fun, inspiring week.”
“Super splendid idea generating joy! I’d been feeling like I’d lost the ability to generate ideas but this course gave me my confidence back. You’ll get the chance to play around with some really fun exercises and just see what happens! I got at least seven really decent ideas to develop further. It’s great value for money and will really give you a great big creative kick. Five gold stars from me!”
“A mysterious benefactor gives you a task a day and – shazam! – by the end of the week you’re a-fizzing with ideas. Tis witchcraft. Do it.”
“Inspiring! A really varied crash course in ideas generation. It was great sharing the course with a small group of fellow students and Sarah is a wonderful course leader. I’ll definitely use the ideas I came up with and the techniques I learned in my writing. Five gold stars!”
” Just a fab way to work. Really enjoyed myself and discovered so many aspects of the writing process I didn’t know or ignored. They throw you in at the deep end but best way to question your process and the way you work. We are so easily stuck in a rut. And this course is a real encouragement to define a box and then think outside it.”