Stroud Short Stories is Open for Submissions until 8 March 2020

Stroud Short Stories is currently open for submissions for its special 20th event which is dedicated to Stroud writer Rick Vick who sadly died at the end of November. There were obituaries for Rick in The Times and The GuardianHere is the latter.
 
The event is for all Gloucestershire and South Gloucestershire writers. The theme this time is DISRUPTION. Submissions are free and you may submit unpublished or published stories. Ten stories will be selected and their authors will read/perform them at our event.
The deadline is the end of Sunday 8 March and the event is on Sunday 19 April at the 150-seater Cotswold Playhouse. Tickets will go on sale on 20 March.
 
All information about submitting is on the Stroud Short Stories website.

Reflex Fiction Autumn 2019 Winners!

Spring 2020 - Reflex Fiction - Flash Fiction Competition shortstops Jan
Reflex Fiction is a quarterly international flash fiction competition for stories between 180 and 360 words. We operate a choose your own entry fee system.

Autumn 2019 Winners

At the end of December, we published the three winning stories from our Autumn 2019 flash fiction competition as chosen by Naomi Booth. Here are the winners and links to the stories:

You can read Naomi’s thoughts on the winning stories here.

Winter 2019 Long-List

We’ve also just published the long-list for our Winter 2019 competition and have started publishing stories as we count down to the announcement of the winners at the end of March.

Spring 2020 – Choose your own entry fee

We’re also accepting entries for our Spring 2020 competition. For this round, we’re delighted to have flash-fiction legend Kathy Fish as our judge.

We’re continuing with our choose-your-own-entry-fee system. If the suggested entry fee of £7 is prohibitive, just pay what you can afford. If you’d like to support a writer who can’t afford the full fee, why not add a pound or two? More details on our website.

Here are the important details:

Prizes: £1,000 first, £500 second, £250 third (or the equivalent in your local currency)
Entry Fee: Choose your own
Entries close: 29 February 2020
Judge: Kathy Fish

SUBMIT YOUR ENTRY

Manuscript-based Workshops in February with Claire Keegan

Claire Keegan will be running two manuscript-based workshops in Dublin city centre on Saturday 8th and Saturday 29th February 2010.  This is a unique opportunity to have your work read and critiqued by Claire.

The workshops are completely independent of each other, and run from 9am to 5pm. Manuscripts of up to 3,000 words must be submitted 10 days in advance; however, it is possible to participate in the workshops without a manuscript, for half the price.

The fee for a workshop is 350 Euro, or 175 Euro without manuscript. To book, please email ckfictionclinic@yahoo.com

Read reviews of previous courses and workshops on g.page/ckfictionclinic/review

KEEGAN Claire

Subject: KEEGAN Claire – Copyright: Philippe MATSAS/Opale – Date: 20121017-

 

The Reflex Spring 2020 flash fiction competition is open!

Spring 2020 - Reflex Fiction - Flash Fiction Competition shortstops
Reflex Fiction is a quarterly international flash fiction competition for stories between 180 and 360 words. We publish one story every day as we count down to the winner of each competition.

We had a fantastic response to our Winter ’19 competition: 515 entries from 30 different countries. We’re busy reading and judging in preparation for announcing the longlist on 1 January. In the meantime, the next round of the competition is now open for entries.

We’re delighted to have flash fiction aficionado Kathy Fish acting as judge. Here are the important details:

Prizes: £1,000 / £500 / £250 (or the equivalent in your local currency)
Entry fee: Choose your own!
Deadline: 29 February 2020
Judging: March 2020
Longlist announced: 1 April 2020
Judge: Kathy Fish
Submissions: via our online entry form.

Flash Fiction Editor Vacancy

We’re currently recruiting an editor to manage flash fiction submissions for online publications. See our website for all the details.

Story Friday LEAP! Call for submissions

Story Friday in February has the theme LEAP! in celebration of 2020 as a leap year. Story Friday is on 28th February, the day before the leaping day, and we want to revel in the glory of this springing theme! Whether your stories feature proposals or boxing hares, Christmas lords or death defying jumps, we are so looking forward to reading what you come up with!

Story Friday LEAP! will be on 28th February, deadline for submissions is 17th February. We’re looking for stories that are 2,000 words or fewer.  (Full submission details are here).  Writers must be available to come to Bath for the event.  If you’d rather not read, we have wonderful actors who can read your story for you.

For more information about Story Friday, to listen to stories that we have recorded at our events over the years, and/or to submit your story please visit A Word In Your Ear.

Novella Fever with Kiare Ladner: Spring 2020

Do you have a short story with potential for growth? Or one that’s out of control and getting longer and longer? Maybe it’s a novella in disguise. Join Picador author and short story writer Kiare Ladner for a really intensive work out on all things novella! Novella Fever is for anyone serious about getting stuck into a mid-length piece of fiction. Wednesday evenings 6.45pm-9.15pm; Jan 29, Feb 5, 12, (half term), 26, March 4, 11; cost £99; venue Writing Room, Floor 3, Wood Green Works, Cumberland Road, Wood Green, London N22 7SG

In six weeks, we will aim to start (or finish) drafting a novella. What you work on may be only slightly longer than a short story or slightly shorter than a novel. You may have an idea to explore, or a short story that’s growing, or something resembling a novel in progress. On the course, we will look at what gives this particular form its power. We will think about the value of the instinctive in our writing. We will discuss the general shape a story of this length this may take. In intensive weekly sessions we will workshop both writing and story ideas. All levels welcome.

If interested, contact Kate Pemberton at kate@collage-arts.org or for more information check: http://haringeyliteraturelive.com/spring-courses-2020/

Residential Writing Weekend with Claire Keegan

Teach Bhride Holistic Centre, Tullow, Co. Carlow, Ireland 3 to 5 January 2020

This residential weekend will see all participants arriving at Teach Bhride on Friday afternoon before dinner. The next two mornings will be spent writing in any genre in well lighted, quiet spaces without mobile phones.

Lectures and discussions will be held in the afternoons and evenings on the following:

  • Letters by Anton Chekhov & others

  • Paris Review/Writers at Work Interviews

  • Essays by Eudora Welty, Frank O’Connor and Flannery O’Connor

  • Hemingway’s advice on writing

  • Some poems on writing and creativity

  • Viewing of A Private World, a documentary on John McGahern

Tuition includes all meals and two nights’ accommodation, with everyone arriving before dinner on Friday, helping themselves to breakfast both mornings, and leaving before dinner on Sunday evening. This course will suit anyone interested in a quiet weekend of writing. None of what is written will be read aloud. It’s a chance to engage with the intricacies of the creative process and use your imagination.

To book your place, contact ckfictionclinic@yahoo.com Tuition is 400 Euro. A 50% deposit secures. See CKFictionClinic for more information.

KEEGAN ClaireClaire Keegan’s portrait taken in the offices of Sabine Wespieser, Publisher, Paris

Claire Keegan’s story collections include Antarctica, Walk the Blue Fields and Foster (Faber & Faber). These stories, translated into 17 languages, have won numerous awards. Her debut, Antarctica, was a Los Angeles Times Book of the Year. “These stories are among the finest stories recently written in English,” wrote the Observer. Walk the Blue Fields, her second collection, was Richard Ford’s Book of the Year in 2010, and won the Edge Hill Prize, awarded to the strongest collection published in the British Isles. Foster won the Davy Byrne’s Award, the then world’s richest prize for a single story. New Yorker readers chose Foster as their story of the year. It was also published in Best American Stories and is now on the school syllabus in Ireland. Keegan has earned an international reputation as a teacher of fiction, having taught workshops on four continents.

Every line seems to be a lesson in the perfect deployment of both style and emotion.” Hilary Mantel

The best stories are so textured and so moving, so universal but utterly distinctive, that it’s easy to imagine readers savoring them many years from now and to imagine critics, far in the future, deploying new lofty terms to explain what it is that makes Keegan’s fiction work.” The New York Times

Every single word in the right place and pregnant with double meaning.” Jeffrey Eugenides, The New York Times

Keegan is a rarity, someone I will always want to read.” Richard Ford