
Stroud Short Stories is Open for Submissions until 8 March 2020

The A3 Review has recently launched Issue 11. We’ve also just posted new themes for our monthly contests. Publication and cash prizes for winners. To enter and for more details, please visit our Submittable page by clicking here. The next few themes will be included in our “T” issue, so we’re looking for short stories (as well as poems and artwork) about : Tablets, Transformations, and Thanatos.
The two winning entries from September 2019 to February 2020 will make up the list of contributors to Issue 12 (The “T” Issue). From this list, three overall winners will receive cash prizes: 1st = £250, 2nd = £150, 3rd = £75. Issue 12 will appear in April 2020.
The word limit is 150 words, so we’d particularly like to see flash fiction and mini essays. Our $5 (approx £3.50) submission fee helps us cover admin and printing costs and makes sure we can keep offering cash prizes.
Visit The A3 Review’s website to see some back issues. The A3 Press also publishes chapbooks and is open for submissions until December the 10th.
Call for submissions – 2019 Ouen Press Short Story Competition
Ouen Press are pleased to extend an invitation for writers to submit an original short story in line with this year’s theme – ‘The Gift’. Winning authors will receive cash prizes and be published in an anthology early in the New Year. This follows on from the success of the competition in previous years and subsequent publications .
The short story must be a work of fiction involving in its theme a ‘gift’ of any sort [e.g. a present, a capability ] at any time [past, present day, future] or in any place [this world or another]. For the purposes of this competition, the term ‘gift’ will be viewed by the judges in the widest possible sense related to both setting and context. They will focus on well-written compelling storylines, thoughtful plots and engaging characters.
Deadline for entries is 31st December 2019 – full information and rules of the competition, which is open to writers worldwide, can be found at www.ouenpress.com
For updates on our activities – come follow us on Twitter @OuenP
We’d be thrilled if you Like our Facebook page
The BBC National Short Story Award announces an all-female shortlist. The READ Foundation is running a writing competition, deadline Oct 10th, and has 12 tips to get you started.
An evening of stand-up storytelling is being held tonight (Monday 17th September) in Warwick. Stroud Short Stories is launching its anthology of stories performed at its events on Sept 28th, Stroud. Story Sunday is calling for submissions on the theme of “The Fall” by Sept 23rd for its event in Bristol on Oct 7th.
Fictive Dream is calling for submissions, as is Breve New Stories, deadline Oct 15th.
The inaugural Short Story September is half way through, run by Dahlia Publishing, with profiles of short story writers and a daily writing prompt.
Gail Aldwin is running a flash fiction workshop at the Clevedon Community Bookshop on Oct 4th. Paul McVeigh is running a workshop, That Killer First Page, in Dublin on October 13th.
Our next contest deadline is July the 28th, and we also have new monthly themes for other A3 Review contests till November. We’re looking for short fiction, mini essays, poetry and artwork on the theme of Ears, Hats and Triangles, for example.
Visit our Submittable page for all the details.
The next theme is Thieves. Hearts, heists, identities, or apricots from a neighbour’s tree. We like work that feels immediate and edgy, so check out the prompts and start creating now! We welcome submissions from around the world.
Three winners per issue receive cash prizes, and all monthly winners receive contributor copies, back issues and Writing Maps. All the details are here.
You can read some of the work that we feature in The A3 Review on our Instagram page.
Any questions, please do write to us at a3 [at] writingmaps.com
The Brighton Prize for short fiction closes to entries at midnight on July 1st. Until then we are accepting short stories and flash fiction from international authors. There’s £2,000 in prize money up for grabs including a £1,000 first prize for short story and a special local prize for a Sussex writer.
All our winners are published in our anthology and sometimes in other journals. Last year’s flash winner Haleh Agar was published in local magazine Viva Brighton and we’re always looking for ways to get our winners noticed, we also had two launches one in Brighton and one at Golden Hare Books in Edinburgh!
Our judges this year include Booker nominated and Edge Hill Prize short-listee, Alison MacLeod, ace literary agent, Sarah Manning and Brighton Prize Director, Erinna Mettler.
Send us your best – please read the T & Cs first!
We hope you’re thinking of entering because we love to read your entries – and it’s also a massive help to the magazine because all money raised goes back into production (after we’ve paid the prizes and the main judges’ fees, of course).
As always, if you’re a subscriber you get your 2nd entry for FREE (you can even take out a new subscription today and get your 2nd entry free), but for the first time ever if you become a Brittle Star Patron you get your first entry for FREE. Visit our Patreon page to find out how you can become a Patron for as little as £1 a month, giving you access to the lovely rewards and treats that we give our Patrons as a special thanks for supporting us.
The normal cost of entry is only £5 for the 1st entry then £3.50 for any following entries – which is really good value anyway, but not as good as free!
The deadline for the competition is 14th March. The first prize in each category is £250, plus publication in the magazine, a subscription for you to keep for yourself or give to a friend, and an invitation to read at our launch and Prize-Giving at the Barbican Centre Library in London.
The judges this year are the brilliant Pascale Petit and Nicholas Royle (and our own Jacqueline Gabbitas). Pascale is an award winning poet, 4-times shortlisted for the TS Eliot Prize. Her most recent collection, Mama Amazonica (Bloodaxe, 2017), was a Poetry Book Society Choice. Nicholas is a novelist and short story writer. His most recent collection is Ornithology (Confingo, 2017). He is well known as the series editor of Best British Short Stories (Salt).
To find out more about the competition, including the rules and T&Cs, and to enter click on the big bright orange link HERE!
WORDS AND WOMEN ANNUAL NEW WRITING COMPETITION IS OPEN FOR ENTRIES
Deadline Midnight, 15th November 2017
The short prose competition offers the opportunity to enter not only short stories but non-fiction, memoir, and life-writing and this year’s guest judges arrive fresh from non-fiction triumph with their co-authored book, A Secret Sisterhood: The hidden friendships of Austen, Bronte, Eliot and Woolf. Emily Midorikawa and Emma Claire Sweeney are also award-winning writers of fiction. Emily is a winner of the Lucy Cavendish Fiction Prize, and Emma is author of the award-winning novel Owl Song at Dawn. They co-run SomethingRhymed.com, a website that celebrates female literary friendship.
Both judges are looking ‘for compelling voices that combine a sensitivity to the musicality of language with a story that holds the reader’s attention from beginning to end.’ Narratives that are nuanced, complex and unusual will make them sit up and take note.
The national award, generously sponsored by Hosking Houses Trust, offers women writers over the age of 40 the opportunity to win £1,000 cash and a month-long writing retreat at Church Cottage, Stratford-Upon-Avon.
The East of England prize offers the winner £600 and a mentoring session with Jill Dawson of Gold Dust. Both national and regional winners will be published in a compendium of the best stories published by Words and Women over the last five years. The compendium will be launched on International Women’s Day, 8th March 2018 in Norwich, as part of a year of activities supporting The Year of Publishing Women, a provocation launched in Norwich last year by Kamila Shamsie and supported by Words and Women.
‘We are very grateful and excited that Hosking Houses Trust has agreed to sponsor our competition with such a substantial national prize for a second year. It is a brilliant opportunity for women writers over 40 and we are looking forward to receiving entries from Billericay to Belfast. And to have Jill Dawson’s mentoring session again as part of our regional prize is immensely supportive and provides a great opportunity for our regional winner,’ said Bel Greenwood, co-organiser of Words and Women.
‘This year, we have two outstanding guest judges with experience of both non-fiction and fiction, and we are looking forward to working with them and hearing their views on the selected long-list,’ said Lynne Bryan, co-organiser of Words And Women. ‘We work closely with the judges to select the winners but ultimately it is their choice after much discussion! It’s always an exciting process.’
Hosking Houses Trust is a unique charity which offers women over the age of 40 time in which to start, continue or complete interesting or innovative work, in a residency free from the pressures of everyday life. Writers who have been awarded residencies include Joan Bakewell and Sally Vickers.
Jill Dawson is the author of nine novels, including the best-selling Fred and Edie, (short-listed for The Whitbread and Orange Prize) and Watch Me Disappear (long-listed for the Orange Prize). Her novel The Great Lover, about the poet Rupert Brooke, published in 2009, was a best-seller and a Richard and Judy Summer Read. Her latest is The Crime Writer, about Patricia Highsmith. Jill is the founder of Gold Dust, a high calibre mentoring scheme. Gold Dust will offer all entrants to our competition a special discount on their mentoring scheme.
The Words and Women prose competition has proved itself to be a great showcase and previous winners have gone on to secure agent representation and increased interest in their work.
Entries should be 2,200 words or under. Short works of fiction of any genre, memoir, life-writing, essays and creative non-fiction are all welcome. Extracts from longer works will not be considered. The deadline is 15th November 2017. Winners will be announced in January 2018. See www.wordsandwomennorwich.blogspot.co.uk for details
The Royal Society of Literature’s V.S. Pritchett Memorial Prize for unpublished short stories is currently accepting entries. There is a prize of £1,000, and the winning entry will be published in Prospect Magazine online and in the RSL Review. In addition to this, there will be an opportunity for the winner to appear at an RSL event with established short story writers in autumn 2017. Entrants must be resident in the UK and likely to be available for the prize-giving event in autumn 2017. Stories entered for the competition must not have been published previously, or broadcast in any other medium. Stories should be 2,000 and 4,000 words in length. Submission fee is £5 per story.
This year’s judges include Chibundu Onuzo and Michèle Roberts.
More information and entry details can be found on the RSL’s submittable site: https://theroyalsocietyofliterature.submittable.com/submit.
The closing date for entries is 14 June 2017.
As you remember, last year, Bunbury Magazine had the great honour to be short-listed for Best Magazine at the Saboteur Awards.
This year, we want to go one better and win!
To do this, we need your help. We would love to have your vote for best magazine. A vote for us is a vote for every poet, writer, artist, comedian, every beautiful creative we have featured in our pages.
It has been our great pleasure and joy to bring you the finest writing and art & photography from around the world for the past 4 years. We want this recognition not just for us but for everyone that has made doing Bunbury as amazing as it is. In case you need more encouragement, here are some of the gorgeous front covers we have had:
You have to vote in three categories this year in order for your vote to count so while you are there, could you please vote for our anthology, The Bunbury Creative Anthology, as Best Anthology, and our Editor Christopher Moriarty’s book Lightspeed as Best Short Story Collection? It would mean an awful lot to us!
The Anthology is the best of the first 12 issues of Bunbury Magazine. We had so much fun reading everything again and making the editorial decisions. It was out first foray into physical publishing and having recognition for this would be amazing.
So just to remind you, please, please vote for:
Best Magazine – Bunbury Magazine
Best Anthology – Bunbury Creative Anthlogy
Best Short Story Collection – Lightspeed by Christopher Moriarty
You can find the link for voting right here:
“Probably the best short story event in the South West” (Cheltenham LitFest programme), Stroud Short Stories is open again for your story submissions. And will be until 22 April 2017.
Ten stories will be selected to be read by their authors at our event on Sunday 21 May 2017 at the SVA (Stroud Valleys Artspace) in John Street, Stroud, GL5 2HA. Doors 7.30 for an 8.00 start. Tickets only in advance as we sell out each time. Ticket info will appear here when available.
The Rules and How to Submit are here. It’s free to submit, and the stories can be unpublished or previously published. These stories will be in our next anthology – due 2018.
The judges this time are brilliant short story writer Ali Bacon and SSS organiser John Holland. More info on them here.
Check out our website.
The new issue of The A3 Review will be published on October 1. You can pre-order a copy via this link.
Each month we choose two winning pieces, then we publish them in an issue twice a year. We’re already on the look-out for new work to feature in Issue #6, and our first monthly contest ends on September 24th. Even if you missed it, there are five more till February.
The theme this month is ISLANDS. We want your best short fiction (as well as poetry or artwork) about desert islands or private islands, unexplored islands, prison islands, treasure islands, remote islands or the island you live on. Write about the islands you’ve never been to. Think about the geography of an island – does it have palm-fringed beaches or sheer cliffs? Is it covered in forest or volcanic wasteland? Who are the people and creatures that live on the island – are they hostile or friendly? Strange or familiar?
Think about other types of islands – islands of plastic in the middle of the ocean, log islands moving down river, misty islands in the middle of lakes. Tell the story (in no more than 150 words) about a surreal island where time and reality is subtly changed. Find inspiration in the symbolism of islands – their separation, their independence, their aloneness. Explore the word itself, the phrases hidden in it, its sound. Eye land. Aye! Land!
We welcome short stories, flash fiction, poetry, comics, graphic stories, a snippet of memoir, photographs, illustrations, and any combination of the above. The only restriction is a word-limit of 150 and images should fit well into an A6 panel. The deadline is 24th September 2016.
Editor KM Elkes will choose two winners for publication in Issue #6. All winning entries will receive Writing Maps and contributor copies, while three overall winners receive cash prizes.
You can get more inspiration by following The A3 Review on Twitter @TheA3Review and sign up for our newsletter here.
Editors KM Elkes and Shaun Levin also offer a critique service for writers looking for detailed, knowledgeable and forward-looking feedback on their work. To find out more about The A3 Review‘s Critique Service, click here.
The national award, generously sponsored by Hosking Houses Trust, marks the fifth anniversary of Words and Women and offers women over the age of 40 the opportunity to win £1,000 and a month-long writing retreat.
The East of England prize offers the winner £600 and a mentoring session with Jill Dawson of Gold Dust. Both national and regional winners will be published in Words and Women: Four, alongside 20 runners up. The anthology, published in partnership with Unthank Books in Norwich, will be launched on International Women’s Day, 8th March, 2017.
This year’s guest judge is Naomi Wood, the prize-winning author of The Godless Boys and the bestseller Mrs. Hemingway (both from Picador). Mrs. Hemingway has been translated into ten languages, won the Jerwood Fiction Prize, and was shortlisted for the 2015 International Dylan Thomas Prize. It was also a 2015 Richard and Judy Bookclub choice.
Wood is looking for ‘writing that is smart but also honest. Writing that challenges the reader and writing that may take risks in voice or form. But most of all, I’m looking for writing that has a big heart, and where the reader is left moved by the whole experience of being in the world created by the writer.’
Hosking Houses Trust is a unique charity which offers women over the age of 40 time in which to start, continue or complete interesting or innovative work, in a residency free from the pressures of everyday life. Writers who have been awarded residencies include Joan Bakewell and Sally Vickers.
Jill Dawson is the author of nine novels, including the best-selling Fred and Edie, (short-listed for The Whitbread and Orange Prize) and Watch Me Disappear (long-listed for the Orange Prize). Her novel The Great Lover, about the poet Rupert Brooke, published in 2009, was a best-seller and a Richard and Judy Summer Read. Her latest is The Crime Writer, about Patricia Highsmith. Jill is the founder of Gold Dust, a high calibre mentoring scheme. Gold Dust will offer all entrants to our competition a special discount on their mentoring packages.
The Words and Women prose competition has proved itself to be a great showcase and previous winners have gone on to secure agent representation and increased interest in their work.
Entries should be 2,200 words or under. Short works of fiction, memoir, life-writing and creative non-fiction are all welcome. Extracts from longer works will not be considered. The deadline is 15th November 2016. Winners will be announced in January 2017. See www.wordsandwomennorwich.blogspot.co.uk for details.
The A3 Review has launched a short story and flash fiction Critique Service. Stories up to 5,000 words will receive detailed feedback and guidance from The A3 Review‘s editor, Shaun Levin, and guest editor, KM Elkes.
Find out more about the Critique Service and the Editors here.
This month’s A3 Review contest is the last chance to qualify for inclusion in Issue 5.The theme is TRACKS. Some things to think about for inspiration: Write about tracks listened to and tracks run on. Your favourite track, the song or tune that sends you back, the track you’ve played on a loop or cannot bear to hear. Use your favourite music track as inspiration (listen to it as you write). Write about the karaoke tracks you’d choose, the tracks that make you want to dance or cry. What do you listen to when working out or running (on a track!). Write from the musician’s point of view about cutting a track. Write or draw or photograph other types of tracks: ones you follow through woods or across fields; picking up the track of someone or something. Think train tracks, bike tracks, tracking someone online; the inside and outside tracks, being on the right track – or even the wrong track! Don’t backtrack. Make tracks. Explore the fast track, the wrong side of the tracks, or the one-track mind. Are you keeping track? Then enter the contest here.
We welcome short fiction, graphic stories, memoir, photographs, illustrations or any combination of the above. The only restriction is a word-limit of 150 and images should fit well into an A6 panel. The deadline is 27 August 2016.
Guest editor and award-winning author KM Elkes will choose two winners from the contest to go into Issue #5, to be published next month (September). All winning entries will receive Writing Maps and contributor copies, while three overall winners receive cash prizes (1st = £150; 2nd = £75; 3rd = £50).
Following The A3 Review on Twitter @TheA3Review and sign up to the newsletter here.
It’s all about Attics & Basements for The A3 Review’s July Contest, the penultimate contest to qualify for Issue 5. Click here to visit the Submittable page.
Some suggestions and prompts… From The Picture of Dorian Gray to Jane Eyre, mysterious rooms and their contents have always been an inspiration. Think also: Office basement, room above a shop, wine cellar, a loft that runs above several buildings. What feelings are evoked in such rooms? What is the mood-music of these places: safe, melancholy, terrifying? What secrets do they hold? What histories have unfolded? Think about the senses – the smell, sight, touch and sounds of attics and basements. What’s the most vivid memory you have of an attic or a basement, or write a comparative analysis of the two spaces. This could go either way: up or down!
We welcome short fiction, graphic stories, memoir, photographs, illustrations or any combination of the above. The only restriction is a word-limit of 150 and images should fit well into an A6 panel. The deadline is 23rd July 2016.
Guest editor and award-winning author KM Elkes will choose two winners from each themed monthly contest to go into Issue #5, out in September.
All winning entries will receive Writing Maps and contributor copies, while three overall winners for the issue receive cash prizes (1st = £150; 2nd = £75; 3rd = £50).
Guidelines and submissions are all on The A3 Review‘s Submittable page.
The A3 Review is now offering a Critique Service for writers who’d like detailed and forward-looking feedback on their work. Click here to read more about the service and about the editors.
Happy Writing!
That Killer First Page – Lancaster, May 7, 10-4. Tickets and further details here.
You’ll find out what competition judges and journal editors look for in a short story and how to avoid the rejection pile. You’ll write a short piece and get feedback on that crucial story opening. In a form where every word counts, get tips on staying focused on your story and where to start the action. You’ll also look at submission opportunities; how to find them and where you should be sending your stories.
About Paul
Paul McVeigh’s debut novel ‘The Good Son’ is currently Brighton’s City Reads and was shortlisted for the Guardian’s ‘Not the Booker Prize’. His short fiction has been published in journals and anthologies and been commissioned by BBC Radio 4. He has read his work for BBC Radio 5, the International Conference on the Short Story in Vienna, Belfast Book Festival, Wroclaw Short Story Festival and Cork International Short Story Festival the last 2 years. He has represented short stories in the UK for The British Council in Mexico and Turkey.
Paul’s short story blog shares writing opportunities and advice has had over 1 1/4 million hits.
Paul is co-founder of London Short Story Festival and Associate Director at Word Factory, the UK’s leading short story literary salon. He is also been a reader and judge for national and international short story competitions. Completely Novel says that Paul is one of the 8 resources that will help you write a prize-winning short story.
Reviews for his writing:
“Heartbreaking..gripping” The Guardian
“A work of genius.” Pulizter Prize-winning short story writer Robert Olen Butler.
“Absolutely loved it.” Jackie Kay
“Incredibly moving; poignant but utterly real, funny and beautifully observant.” BBC Radio 4
“Paul McVeigh’s story stands out. Funny, moving, poignant. Brilliant.” Metro Newspaper
Comments for this class:
“Practical, insightful application of knowledge to writing.” “Fantastic! Practical, targeted advice like this is wonderful!” “This was my fav course yet! Informative, entertaining, and engaging. Hard to beat!”
This class has sold out in Bath, Belfast, Brighton, Cork, London and Melbourne.
Hello, short fiction fans, happy February! Is spring in the air already? Whether it is where you are or not, here’s our recent short story-related news from the blog!
Tania x
Short Fiction journal’s next online short story masterclass kicks off on March 6th. Anew issue of the Fractured Nuance is available – Issue 3, the handwritten issue. Submissions are open now for Shooter Issue #4: Technology.
The A3 Review is holding its last contest for inclusion in Issue 4. Bunbury blogged about Crime, Space and the World Cup of Authors and Laura Perram interviewed Yaron Kaver at Long Story Short about Mining For Specificity. Shoreline of Infinity still wants your short science fiction submissions, and The Queen’s Head Issue 8 submissions window is wide open. Jotters United has a new issue, Vintage.
The Cardiff Review Short Story Award, an annual prize for excellence in short fiction from new writers, is now open for submissions. The winning story will be published in a future issue of The Cardiff Review and awarded a cash prize of £150. We accept stories in English, between 1000 and 5000 words, from anywhere in the world; though each entrant may only submit once.
Eligibility
The Cardiff Review Short Story Award is open to new writers, which we define as individuals who have yet to begin a postgraduate/graduate programme, have not yet published a major piece of work and are not widely published in literary magazines. If you are unsure of whether you fall into this category or not, feel free to email us at award@cardiffreview.com. The award is open to any young writer working in English.
Hello to you all, Bunbury Magazine here! Lovely to see you all again. We are here with some news and updates for your eyes.
First of all, we want to thank all of you that have downloaded Issue Eleven of Bunbury. The response has been absolutely brilliant. If you missed it, then do not hesitate any longer! It is our crime-theme bonanza. Not only that, but we have an epic (we do not use that word lightly!) feature on the Edinburgh Fringe Festival 2015, packed full of interviews with some of the best performers that were up there, including Phil Jupitus, Wil Hodgson, Cormac Friel and Christian Reilly. It really is worth it AND it is Pay-What-You-Like. Click the pick below to get your digi-hands on it today.
We are also on a drive for submissions for issue thirteen. The theme is Space, in memory of David Bowie. We are looking for short stories, poetry, flash fiction, art, photography. Anything really! Here is another picture to click, this time to our submission guidelines!
At the start of February, we are having a bit of fun. We are running a World Cup of Authors. We have been through the Goodreads lists of best authors from 4 categories – Pre-19th Century, 19th Century, 20th Century and 21st Century (so far!) – and chosen qualifying authors. We want you to vote on who should reach the last 32 from each section. 4 from Pre-19th Century. We have another picture for your eyes now. It is the long lists of each category. Click on it to go to the tweet where you can vote for your favourites. Don’t forget to use the hashtag #worldcupofauthors.
Other than all that, keep your eyes peeled for a competition we will be running in the coming months. We are also starting our writing group up again. It is run in Bury, just outside of Manchester. It is a very welcoming group where you can share your work in a safe space and get some great feedback on what you are working on at the moment. We also run regular events with brilliant headliners. This year, we are also looking to start a poetry slam so it is well worth coming along if you live in the area. Full details on the group can be found here. (Yes, yes, another wonderful picture for you!
That’s it for now. Issue Twelve: Self will be out in February. We will speak to you all very soon. Take care and keep scribbling,
Christopher and Keri.
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