Six Days of Short Stories with Claire Keegan

An exploration of the short story over six Saturdays

WEEK ONE

family

March 21: Four Russian Stories

1. “The Overcoat” by Gogol, translated by Constance Garnett.

PDF

2. “Kasyan from the Beautiful Lands” by Ivan Turgenev, translated by Constance Garnett. Text

3. “Family Happiness” by Leo Tolstoy, translated by Constance Garnett. PDF

4. “Gusev” by Anton Chekhov, translated by Constance Garnett. Text

WEEK TWO

lawrence

March 28: Classics

1 “An Adventure in Paris” by Guy de Maupassant.

2. “An Occurrence at Owl Creek Bridge” by Ambrose Bierce.

3. “The Horsedealer’s Daughter” by D.H. Lawrence.

4. “The Garden Party” by Katherine Mansfield.

Stories 1–4 are published in The Norton Anthology of Short Fiction edited by Richard Bausch and R.V. Cassill. Shorter, 8th edition.

WEEK THREE

why

April 4: Four American Stories

1. “I Want to Know Why” by Sherwood Anderson.

2. “The Chrysanthemums” by John Steinbeck.

3. “A Worn Path” by Eudora Welty.

4. “The Man Who Was Almost a Man” by Richard Wright.

Stories 1–4 are published in The Norton Anthology of Short Fiction edited by Richard Bausch and R.V. Cassill. Shorter, 8th edition.

WEEK FOUR

irish

April 11: Five Irish Stories

1. “The Girl and the Sailor” (a folktale).

2. “The Faithless Wife” by Sean O’Faolain.

3. “The Majesty of the Law” by Frank O’Connor.

4. “Irish Revel” by Edna O’Brien.

5. “Midnight Blue” by Elaine Walsh.

Stories 1–4 may be found in The Oxford Book of Irish Short Stories, edited by William Trevor. We may also discuss Trevor’s introduction to the anthology.

WEEK FIVE

island

April 18: Four Canadian Stories

1. “Royal Beatings” by Alice Munro.

2. “The Ice Wagon Going Down the Street” by Mavis Gallant.

3. “The Island” by Alistair MacLeod.

4. “Death by Landscape” by Margaret Atwood.

Stories 1, 2 and 4 are published in The Norton Anthology of Short Fiction edited by Richard Bausch and R.V. Cassill. Shorter, 8th edition.

WEEK SIX

short fic

April 25: Stories from Elsewhere

1. “The White Horse” by Yasunari Kawabata.

2. “Signs and Symbols” by Vladimir Nabokov.

3. “The Management of Grief” by Bharati Mukherjee.

4. “Gimpel the Fool” by Isaac Bashevis Singer.

Stories 1–4 are published in The Norton Anthology of Short Fiction edited by Richard Bausch and R.V. Cassill. Shorter, 8th edition.

All lectures will be held at the Carmelite Community Centre, 56 Aungier Street, Dublin City Centre from 10am to 5pm on Saturdays.

Participants are welcome to either book into the full six-week course for 780 euro tuition or pay 150 per day. To book, please contact clairekeeganfictionclinic@gmail.com

Anyone with an interest in short stories is welcome to attend.

Manuscript-based Workshop with Claire Keegan

December 7, 2019, 9.30am to 5pm

Dublin city centre

A unique opportunity to have your work read and critiqued by Claire Keegan, as well as to learn more about the writing process.

Tuition is 300 Euro with the submission of a 3,000 words manuscript, or 150 Euro without a manuscript.

There is only one place remaining!

To book, email ckfictionclinic@yahoo.com

Read reviews on Claire’s workshops and courses.

 

KEEGAN Claire

Subject: KEEGAN Claire – Copyright: Philippe MATSAS/Opale – Date: 20121017-

Residential Writing Weekend with Claire Keegan

Teach Bhride Holistic Centre, Tullow, Co. Carlow, Ireland 3 to 5 January 2020

This residential weekend will see all participants arriving at Teach Bhride on Friday afternoon before dinner. The next two mornings will be spent writing in any genre in well lighted, quiet spaces without mobile phones.

Lectures and discussions will be held in the afternoons and evenings on the following:

  • Letters by Anton Chekhov & others

  • Paris Review/Writers at Work Interviews

  • Essays by Eudora Welty, Frank O’Connor and Flannery O’Connor

  • Hemingway’s advice on writing

  • Some poems on writing and creativity

  • Viewing of A Private World, a documentary on John McGahern

Tuition includes all meals and two nights’ accommodation, with everyone arriving before dinner on Friday, helping themselves to breakfast both mornings, and leaving before dinner on Sunday evening. This course will suit anyone interested in a quiet weekend of writing. None of what is written will be read aloud. It’s a chance to engage with the intricacies of the creative process and use your imagination.

To book your place, contact ckfictionclinic@yahoo.com Tuition is 400 Euro. A 50% deposit secures. See CKFictionClinic for more information.

KEEGAN ClaireClaire Keegan’s portrait taken in the offices of Sabine Wespieser, Publisher, Paris

Claire Keegan’s story collections include Antarctica, Walk the Blue Fields and Foster (Faber & Faber). These stories, translated into 17 languages, have won numerous awards. Her debut, Antarctica, was a Los Angeles Times Book of the Year. “These stories are among the finest stories recently written in English,” wrote the Observer. Walk the Blue Fields, her second collection, was Richard Ford’s Book of the Year in 2010, and won the Edge Hill Prize, awarded to the strongest collection published in the British Isles. Foster won the Davy Byrne’s Award, the then world’s richest prize for a single story. New Yorker readers chose Foster as their story of the year. It was also published in Best American Stories and is now on the school syllabus in Ireland. Keegan has earned an international reputation as a teacher of fiction, having taught workshops on four continents.

Every line seems to be a lesson in the perfect deployment of both style and emotion.” Hilary Mantel

The best stories are so textured and so moving, so universal but utterly distinctive, that it’s easy to imagine readers savoring them many years from now and to imagine critics, far in the future, deploying new lofty terms to explain what it is that makes Keegan’s fiction work.” The New York Times

Every single word in the right place and pregnant with double meaning.” Jeffrey Eugenides, The New York Times

Keegan is a rarity, someone I will always want to read.” Richard Ford

Beginnings, Middles, Endings: The Structure of a Narrative with Claire Keegan

Goldsmiths University, London

November 2 & 3, 2019. 9:30am–5pm, both days

Claire Keegan, internationally acclaimed author and fiction-writing coach, will direct this, her most popular fiction writing course, using a novel and two short stories to demonstrate and explore the mechanics of fiction writing and narrative structure.

1. The Great Gatsby by F. Scott Fitzgerald

2. “Good Country People” by Flannery O’Connor

3. “Nobody Said Anything” by Raymond Carver

How do stories begin? How and why does an author make an incision in time and build tension? How is a reader drawn into a narrative? We will also explore the much-neglected middle; the trunk of the story, its denouement and turning points — and ask if endings are natural. Why do stories need to end, to find a place of rest? The discussion around endings will focus on falling action, emotional consequences and inevitability. Participants will also examine the differences between the short story and the novel.

This weekend will be of particular interest to those who write, teach, read or edit fiction — but anyone with an interest in how fiction works is welcome to attend.

To book your place, contact ckfictionclinic@yahoo.com Tuition is £350. A 50% deposit secures.

IMG_3242 (1)

Claire Keegan’s story collections include Antarctica, Walk the Blue Fields and Foster (Faber & Faber). These stories, translated into 17 languages, have won numerous awards. Her debut, Antarctica, was a Los Angeles Times Book of the Year. “These stories are among the finest stories recently written in English,” wrote the Observer. Walk the Blue Fields, her second collection, was Richard Ford’s Book of the Year in 2010, and won the Edge Hill Prize, awarded to the strongest collection published in the British Isles. Foster won the Davy Byrne’s Award, the then world’s richest prize for a single story. New Yorker readers chose Foster as their story of the year. It was also published in Best American Stories and is now on the school syllabus in Ireland. Keegan has earned an international reputation as a teacher of fiction, having taught workshops on four continents.

Every line seems to be a lesson in the perfect deployment of both style and emotion.” –Hilary Mantel

The best stories are so textured and so moving, so universal but utterly distinctive, that it’s easy to imagine readers savoring them many years from now and to imagine critics, far in the future, deploying new lofty terms to explain what it is that makes Keegan’s fiction work.” – The New York Times

Every single word in the right place and pregnant with double meaning.” – Jeffrey Eugenides, The New York Times

Keegan is a rarity, someone I will always want to read.” – Richard Ford

The Child in Society

Weekend of Fiction Writing & Reading with Claire Keegan

Amber Springs Hotel, Gorey, Co Wexford

June 29 & 30, 2019children

There can be no keener revelation of a society’s soul than the way in which it treats its children. Nelson Mandela

For two days, Claire Keegan, author of Foster (Faber & Faber) will explore fiction writing through the linked theme of The Child in Society. Discussion will include the rights of the child, having and not having children, fathering, mothering, fostering, adopting and neglecting children. Participants will be asked to imagine being a boy, a girl, a parent, a child minder – and undoubtedly there will be talk around housing, fathering, contraception, pregnancy, money, hunger, mothering, sleep and what it means to love and be loved, to mind and to be minded — from different points of view. The lecture will explore and display how time, tension, drama, dialogue and narrative structure are put to use in the following:

Jude the Obscure, a novel by Thomas Hardy

The River,” a story by Flannery O’Connor

Sleepyhead,” a story by Chekov, translated by Constance Garnett

The Widow’s Son,” by Mary Lavin.

Vera Drake, a film by Mike Leigh

Tuition 350 euro. Reservations can be made by emailing ckfictionclinic@yahoo.com

For more information, go to ckfictionclinic.com

How Fiction Works: A Study of Narrative Using Works by John McGahern

Linenhall Library, Belfast. May 13 & 14, 2019. 10am–5pm, both days.
Claire Keegan will direct this fiction writing course using works by John McGahern to explore and demonstrate the mechanics of writing and narrative structure.

1. The Leavetaking

2. “Christmas”

3. “Parachutes”

4. “The Conversion of William Kirkwood”

How do stories begin? How and why does an author make an incision in time and build tension? How is a reader drawn into a narrative? Why is a reader sometimes not drawn in at all? Keegan will discuss the structure of a narrative and go into what she calls the much-neglected middle, the trunk of the story. Are endings natural? Why do stories need to end, to find a place of rest? The discussion around endings will focus on falling action, emotional consequences and inevitability. Participants will also examine the differences between the short story and the novel. This course will be of particular interest to those who write, teach, read or edit fiction — but anyone with an interest in how fiction or reading works is welcome to attend. To book your place, contact ckfictionclinic@yahoo.com  Tuition is £300. A 50% deposit secures.

 

IMG_3242 (1)

Claire Keegan’s story collections include Antarctica, Walk the Blue Fields and Foster (Faber & Faber). These stories, translated into 17 languages, have won numerous awards. Her debut, Antarctica, was a Los Angeles Times Book of the Year. “These stories are among the finest stories recently written in English,” wrote the Observer. Walk the Blue Fields, her second collection, was Richard Ford’s Book of the Year in 2010, and won the Edge Hill Prize, awarded to the strongest collection published in the British Isles. Foster won the Davy Byrne’s Award, then the world’s richest prize for a single story. New Yorker readers chose Foster as their story of the year. It was also published in Best American Stories is now on the school syllabus in Ireland. Keegan has earned an international reputation as a teacher of fiction, having taught workshops on four continents.

Fiction Workshop with Claire Keegan

Fiction Workshop with Irish writer Claire Keegan
Goldsmiths University, London
April 21 & 22, 2018. 9:30am–5:30pm, both days.

Claire Keegan, internationally acclaimed author and teacher of creative writing, will run a 2 day fiction workshop in London. This weekend will concentrate on works-in-progress submitted by the participants. Manuscripts (novel excerpt or short story of up to 3,000 words) are distributed to every participant and read with care by all. Keegan will spend between 3-5 hours on each text before the workshop begins and then examine and discuss every text with the group.

Discussion will include the structure of a narrative, paragraph structure, time, tension, drama, melodrama, statement, description, suggestion, conflict, character, humour, point of view, place and time. The aim, always, is to help each author with the next draft.
The weekend will be of particular interest to those who write, teach, read or edit fiction — but anyone with an interest in how fiction works, improving their prose and/or helping others to do so, is welcome to attend. While most participants like to submit a manuscript, this is not a requirement.

Tuition £380. To book your place, email ckfictionclinic@yahoo.com – Enquiries welcome.

Claire Keegan has written Antarctica, Walk the Blue Fields and Foster (Faber & Faber). These stories, translated into 17 languages, have won numerous awards. Walk the Blue Fields was Richard Ford’s Book of the Year in The Guardian, 2010 and won the Edge Hill Prize. Foster won the Davy Byrne’s Award, then the world’s richest prize for a single story. The stories have been published in Best American Stories, Granta,
The Paris Review and the New Yorker. Keegan also has earned an international reputation as a teacher of fiction, having taught workshops on four continents.

Of Antarctica: “These stories are among the finest stories recently written in English.” The Observer
“Every line seems to be a lesson in the perfect deployment of both style and emotion.”–Hilary Mantel
“Every single word in the right place and pregnant with double meaning.” – Jeffrey Eugenides, The New York Times
“Perfect short stories” – Anne Enright
“Keegan is a rarity, someone I will always want to read.” – Richard Ford
“The best stories are so textured and so moving, so universal but utterly distinctive, that it’s easy to imagine readers savouring them many years from now and to imagine critics, far in the future, deploying new lofty terms to explain what it is that makes Keegan’s fiction work.” -The New York Times