The Amber Springs Hotel, Gorey, Co. Wexford
9:45 am – 5 pm, October 5 & 6.
In response to many requests, Claire Keegan will be directing a weekend on writing dialogue. Keegan will argue that our speech is full of casual and consequential misunderstanding. Some of what characters say is what we do not wish to say or reveal or realise. We will also look at other human factors: why it isn’t always possible to hear what is being said, and why we cannot often or do not wish to listen. And how despite our attempts to say little, we reveal a great deal. How, through our speech and silences, we give ourselves away.
Course participants will be asked to read scenes, and stories, examine and edit scenes – and we will also look at why and how dialogue works, and why it sometimes doesn’t. We will also take a look at accents, dialogue layout, pacing, humour and balancing descriptive paragraphs with dialogue.
This course will likely be of interest to those who read, write or edit novels, short stories, plays, memoirs, screen plays, creative non-fiction or are simply interested in how and why people talk.
The reading list is as follows:
1. Opening five chapters of Tess of the D’Urbervilles by Thomas Hardy
2. The Tale of Peter Rabbit by Beatrix Potter
3. “The District Doctor,” by Ivan Turgenev, translated by Constance Garnett
4. “Sarah,” by Mary Lavin
5. “Miss Brill,” by Katherine Mansfield
6. “Music at Annahullion,” by Eugene McCabe
7. “What We Talk About When We Talk About Love,” by Raymond Carver
8. “Kathleen’s Field,” by William Trevor
9. “Bullfighting,” by Roddy Doyle
All the works in the reading list will be provided free of charge by email.
To book your place, email email@example.com. Tuition is 350 euro. A 100 euro non-refundable deposit secures a place. There are only two spaces left on this course. All welcome.
For more information, see ckfictionclinic.com