Fiction Workshop with Irish writer Claire Keegan
Goldsmiths University, London
April 21 & 22, 2018. 9:30am–5:30pm, both days.
Claire Keegan, internationally acclaimed author and teacher of creative writing, will run a 2 day fiction workshop in London. This weekend will concentrate on works-in-progress submitted by the participants. Manuscripts (novel excerpt or short story of up to 3,000 words) are distributed to every participant and read with care by all. Keegan will spend between 3-5 hours on each text before the workshop begins and then examine and discuss every text with the group.
Discussion will include the structure of a narrative, paragraph structure, time, tension, drama, melodrama, statement, description, suggestion, conflict, character, humour, point of view, place and time. The aim, always, is to help each author with the next draft.
The weekend will be of particular interest to those who write, teach, read or edit fiction — but anyone with an interest in how fiction works, improving their prose and/or helping others to do so, is welcome to attend. While most participants like to submit a manuscript, this is not a requirement.
Tuition £380. To book your place, email firstname.lastname@example.org – Enquiries welcome.
Claire Keegan has written Antarctica, Walk the Blue Fields and Foster (Faber & Faber). These stories, translated into 17 languages, have won numerous awards. Walk the Blue Fields was Richard Ford’s Book of the Year in The Guardian, 2010 and won the Edge Hill Prize. Foster won the Davy Byrne’s Award, then the world’s richest prize for a single story. The stories have been published in Best American Stories, Granta,
The Paris Review and the New Yorker. Keegan also has earned an international reputation as a teacher of fiction, having taught workshops on four continents.
Of Antarctica: “These stories are among the finest stories recently written in English.” The Observer
“Every line seems to be a lesson in the perfect deployment of both style and emotion.”–Hilary Mantel
“Every single word in the right place and pregnant with double meaning.” – Jeffrey Eugenides, The New York Times
“Perfect short stories” – Anne Enright
“Keegan is a rarity, someone I will always want to read.” – Richard Ford
“The best stories are so textured and so moving, so universal but utterly distinctive, that it’s easy to imagine readers savouring them many years from now and to imagine critics, far in the future, deploying new lofty terms to explain what it is that makes Keegan’s fiction work.” -The New York Times
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